Page 20 - mar 21 Japanese and korean art Bonhams

2037
UTAGAWA HIROSHIGE I (1797-1858)
Edo period (1615-1868), circa 1832-1852
Comprising three oban yoko-e and two chuban tate-e prints: Miya,
Shichiri no watashi, Atsutano tori, Nezame no sato (Miya: Shichiri
Crossing, Gate of the Atsuta Shrine, and Nezame Village), from the
series Tokaido gojusan tsugi (53 Stations of the Tokaido Road), circa
1847-1852, censor’s seals Mera, Watanabe; Ryogoku no yusuzumi
(Fireworks in the Cool of the Evening at Ryogoku Bridge), from
the series Toto meisho (Views of the Eastern Capital), circa 1832-
1834; Juichidanme ichi, Youchi oshiyose (Act XI, Part 1: The Night
Attack Advances), from the series Chushingura (The Storehouse
of Loyal Retainers), circa 1835-1839, published by Izumiya Ichibei
(Kansendo), censor’s seal Kiwame; Haru, Yoshinoyama (Spring: The
2037 Yoshino Mountains) and Fuyu, Sumidagawa (Winter: Sumida River),
both from the series Meisho shiki no nagame (Views of the Four
Seasons in Famous Places), circa 1840-1842; all signed Hiroshige
ga (5)
9 3/4 x 14 1/2in (24.8 x 36.9cm) each approximately
9 1/8 x 6 3/4in (23.1 x 17cm) each approximately
US$1,200 - 1,800

2038
UTAGAWA HIROSHIGE I (1797-1858)
Edo period (1615-1868), circa 1833-1834
An oban yoko-e print titled Yokkaichi, Miegawa (Yokkaichi: Mie
River), from the series Tokaido gojusan tsugi no uchi (53 Stations of
the Tokaido Road), published by Takenouchi Magohachi (Hoeido),
censor’s seal Kiwame, signed Hiroshige ga
9 7/8 x 14 7/8in (25 x 37.8cm)

US$1,500 - 2,500
2038 2039
UTAGAWA HIROSHIGE I (1797-1858)
Edo period (1615-1868), circa 1856
An oban tate-e print titled Senju no Ohashi (The Great Bridge of
Senju), from the series Meisho Edo hyakkei (100 Famous Views of
Edo), circa 1856, published by Uoya Eikichi, censor’s seals Aratame,
tatsu ni, signed Hiroshige ga
14 11/16 x 9 3/4in (37.5 x 24.9cm)

US$1,000 - 1,500
2040
UTAGAWA KUNIYOSHI (1797-1861), UTAGAWA TOYOKUNI I
(1769-1825), AND KEISAI EISEN (1790-1848)
Edo period (1615-1868), circa 1819-52
Comprising one oban tate-e triptych and two oban tate-e prints;
Yami no ume (Plum Blossoms at Night), circa 1847-1852, published
by Kawaguchiya Uhei (Fukusendo), censor’s seals Mera, Watanabe,
each sheet signed Ichiyusai Kuniyoshi ga; Matsushita no zenni,
Nakamura Daikichi (Nakamura Daikichi I as Zenni of Matsushita), circa
1819, published by Yamamotoya Heikichi (Eikyudo), censor’s seal
Kiwame, signed Toyokuni ga; and Imayo musume sankyoku (Three
Songs by Girls in the Modern Style), circa 1843-1847, published by
Izumiya Ichibei (Kansendo), censor’s seal Mura, signed Keisai Eisen
ga (5)
15 x 10in (38.2 x 25.4cm) each approximately

US$1,500 - 2,500

2039

18 | BONHAMS