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A Dictionary of Chinese Symbols     112
                                       Emperor

        huang-di





        Chinese Emperors were believed to be descended from the mythical Shang-di, the Ruler
        of heaven. The Emperor was the Son of Heaven, entrusted with  the  mission
        of safeguarding the harmony between    heaven  and    earth. He was the ruler of
        the    ‘Middle Kingdom’ and the  ‘Four Directions’, to each of  which  he  made
        periodical journeys of inspection and in each of which he was represented at other times
        by his most august    officials. At the beginning of spring he guided a plough drawn by
        an     ox to make the    eight sacred furrows at the Temple of Husbandry in Peking:
        he also sowed rice and four kinds of    millet. He dwelt in a palace which faced south –
        the only being in China to enjoy such a privilege (   left and right). He was symbolised
        by the    dragon. The    unicorn might also appear in the imperial gardens, provided
        that a wise ruler sat on the throne: when this happened it was a palpable manifestation of
        divine approval from on high.
           Early Emperors did not just sit about: they could turn their hand to many things, and
        the legendary    Fu-xi is credited with inventing marriage as  an  institution,  the
        eight    trigrams and the fish-net. The historical Emperor Yong-le (r. 1402–24) had the
        Great  Wall  and  the  Imperial  Canal  repaired: he moved the capital from Nanking to
        Peking, built the Temple of Heaven, and commissioned an encyclopaedia  covering
        the entire body of knowledge then available. Even he was surpassed by Shi-huang-di, the
        ‘First Emperor’ of China who used a reign of only eleven years (221–210 BC) to lay
        the  foundations  for  the  Middle  Kingdom that was to last for two thousand years.
        He introduced the system whereby 36 ‘commanderies’ were each administered by a
        Military Governor and a Civil Governor, a centralisation which spelled the end of the old
        feudal system and the ascendancy of the    officials. He unified the Chinese script, the

        weights and measures, and the coinage: he opened up the land by building canals and
        roads, and is responsible for the two greatest edifices of his time – the Great Wall and his
        own mausoleum, in which there was, apart from everything
        else, room for an army of 7,000 lifesized clay warriors. The number  of  people  who
        perished in the construction of these monuments cannot even be guessed at; and he is also
        responsible for the first burning of the    books.
           Shi-huang-di  made  his  mark in the realms of magic and cosmology also.    Fire,
        which had been the ruling element in the preceding Zhou Dynasty, was replaced by
         water:    black became the ruling colour in the place of    red. The number    six
        was now to rule Chinese life: even the    hats worn by officials were to be 6 inches
        long and 6 inches wide. The First Emperor travelled the length and breadth of his realm
        and visited all its main cities; one might  say  he took ritual possession of the Middle
        Kingdom. All his life he was terrified of death, and he sent one expedition after another
        to search out and bring him the herb of    immortality and the miraculous mushroom
        of longevity.
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