Page 264 - A Dictionary of Chinese Symbols BIG Book
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                                    Fu-xi and Nü-gua

           In stone relief work, Fu-xi and Nü-gua are shown with the lower halves of their bodies
        intertwined. Nü-gua is on the right, with a pair of compasses in her right hand; Fu-xi has
        a square-measure in his left hand. These insignia convey an  impression  of  ‘sound
        customs’.
                                 Number Mysticism

        mishu





        The cardinal importance accruing to number symbolism in ancient China may be gauged
        from the fact that every dynasty selected a number as a kind of modulus for its reign.

        The  chosen  number  might  be  one of the numbered tones in the old pentatonic music,
        which automatically linked it to one of the    five colours. It followed from this that
        when a change of dynasty took place, the colour of court dress had to be altered, and a
        new scale was chosen for the court music, as European countries change their national
        anthem after a revolution. There is a story that one of the old philosophers was once upon
        a time called upon to bring about a change in a valley where it was always cold: all he
        had to do was to play the ‘right’ music – and the valley warmed up!
           Any one numerical symbol refers to a whole complex of  facts  and  pseudo-facts  –
        which is not to say that other numerical symbols cannot be brought into correlation with
        this same complex. In fact, number in China is as readily capable of ‘change’ as are many
        other things: the category of ‘change’ is basic to Chinese thought.
           The lunar year on which the Chinese    calendar  was  based (the Cycle of
         Twelve)  generates a number system which can be used in reckoning all other
        astronomical and chronological data. Chinese    astrology uses a system of    ‘Ten
        Heavenly Stems’ and    ‘Twelve Earthly Branches’ (   lunar stations).
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