Page 312 - A Dictionary of Chinese Symbols BIG Book
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        prepare for combat in the guise of three-legged ravens, but retreat as soon  as
         unicorns lay on a duel, or a qi-lin tries to swallow them up.
           Ravens are supposed to be very pious birds; and they raise burial mounds to those men
        who are particularly distinguished for their xiao. There are also ‘divine’ ravens who live
        in temple complexes and are fed by visitors. When ravens pick up food in the shadows,
        they are supposed to become pregnant, and then they spit out their young.
           The croaking of ravens is variously interpreted depending on the hour when it is heard.
        According to one text, croaking in the evening, from eight to ten o’clock, is a good sign;
        but if it is heard between ten o’clock and midnight it is a harbinger of death. In general,
        the croaking of ravens is held to be unlucky.
           If  a  woman’s  hair  is described as ‘raven hair’ this means that it is black and
        beautifully lustrous.
           The raven, as an ugly black bird, is contrasted with the auspicious    magpie in the
        saying ‘Better an honest raven than a deceitful magpie.’
           A ‘fire raven’ (huo ya) serves Wen yuan-shuai, one of the gods of smallpox.

                                          Red


        hong



        Even  in prehistoric times, red seems to have been regarded as a ‘life-giving’ colour:
        evidence from burial sites suggests that cinnabar or red chalk was interred along with the
        corpse. Red is the colour of the summer, of the South and also of the ancient realm of
        Zhou (c. 1050–256 BC). This ‘Red Age’ had red clothing, red tassels on the    hats
        of officials, red seal-cords, horses, flags, sacrificial animals, etc., etc.; and it all began
        with the appearance of the Red raven. This  ancient  stratum  of  popular  belief  is  not
        exhausted yet – cf. the presentation of communism as the ‘rule of the Reds’ (Feng You-

        lan) and of the ‘Red Guards’ as the shock-troops of revolutionary unrest.
           On the Chinese stage, a  red-faced  man is a holy person, often the god of war
         Guan-di. Of the three gods of good fortune, the one who confers high office and riches
        wears  a  red  robe;  the one beside him, dressed in    green, blesses a family with
        children, while the third, who gives long life, is dressed in    yellow or in white. Thus,
        red is also held to be the colour of wealth.
           Until the 19th century, concubines were not allowed to wear red skirts; only when the
        concubine went for the first time to the husband, did the chief wife give her a red garment
        to wear.
           ‘Letting red fall’ is, as one would expect, the act of deflowering a virgin, who then
        loses ‘virgin red’. One still hears the proverb ‘Red face – unhappy fate’ meaning the early
        demise of a husband who is sexually plagued to death by an overdemanding wife. ‘Old
        Reddy’ (hong lao) was a vulgar way of  referring to rank-and-file soldiers; and ‘red
        contract’ was a document officially stamped in red,  authenticating  a  legal  or  business
        deal, e.g. the sale of a slave. In the 14th century, a ‘red register’ was drawn up, listing all
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