Page 28 - Christie's Fine Chinese Qianlong's Bronze Auction September 13, 2018

展覽
EXHIBITED
Detroit, Exhibition of Ancient Chinese Ritual Bronzes Loaned by
C.T. Loo & Co., The Detroit Institute of Arts, 18 October-10 November 1940. 底特律，《Exhibition of Ancient Chinese Ritual Bronzes Loaned by C.T.
New York, Exhibition of Chinese Arts, C. T. Loo & Co., 1 November 1941-30 Loo & Co.》，底特律美術館，1940年10月18日至11月10日。
April 1942. 紐約，《Exhibition of Chinese Arts》，盧芹齋，1941年11月1日至1942年
4月30日。
著錄
LITERATURE
By the order of Emperor Qianlong, Liang Shizheng, Jiang Pu, Wang Youdun,
et al., Xiqing gujian (Mirror of Antiquities [prepared in the] Xiqing [Southern 梁詩正、蔣溥、汪由敦等奉敕撰，《西清古鑑》，清乾隆二十年（1755）
Study Hall]), Imperial Printing Ofice in the Wuyingdian (Hall of Martial Valor), 武英殿刊本，卷14，頁7。
Forbidden City, Beijing, 1755, vol. 14, p. 7. 吳大澂，《愙齋藏器目》，1887年。
Wu Dacheng, Kezhai cangqi mu (List of the Objects Collected by Kezhai [Wu 吳大澂，《愙齋集古錄》，1918，卷7，頁11。
Dacheng]), 1887. 劉體智，《小校經閣金文拓本》，1935年，卷7，頁61。
Wu Dacheng, Kezhai jigulu (The Records of Collecting Antiques by Kezhai [Wu 羅振玉，《三代吉金文存》，1937年，卷6，頁19。
Dacheng]), 1918, vol. 7, p. 11 (inscription only). 底特律美術館，《Exhibition of Ancient Chinese Ritual Bronzes Loaned
Liu Tizhi, Xiaojiaojinge jinwen taben (Rubbings of Archaic Bronze Inscriptions by C.T. Loo & Co.》，底特律，1940年，編號25。
at the Xiaojiaojingge Studio), 1935, vol. 7, p. 61 (inscription only). 盧芹齋，《Exhibition of Chinese Arts》，紐約，1941年，編號12。
Luo Zhenyu, Sandai jijin wencun (Surviving Writings from the Xia, Shang, and Phyllis Ackerman，《Ritual Bronzes of Ancient China》，紐約，1945年，
Zhou Dynasties), 1937, vol. 6, p. 19 (inscription only). 圖版29。
The Detroit Institute of Arts, Exhibition of Ancient Chinese Ritual Bronzes 陳夢家，《殷周青銅器分類圖錄》，東京，1977年，編號A177（圖片）及R363
Loaned by C.T. Loo & Co., New York, 1940, no. 25. （銘文）。
C.T. Loo & Co., Exhibition of Chinese Arts, New York, 1941, no. 12. 周法高，《三代吉金文存著錄表》，台北，1977年，編號1303。
Phyllis Ackerman, Ritual Bronzes of Ancient China, New York, 1945, pl. 29. 周法高，《三代吉金文存補》，台北，1980年，編號363。
Chen Mengjia, Yin Zhou qingtongqi fenlei tulu (In Shu seidoki bunrui zuroku; 孫稚雛，《金文著錄簡目》，北京，1981年，編號1735。
A Corpus of Chinese Bronzes in American Collections), Tokyo, 1977, nos. A177 嚴一萍，《金文總集》，台北，1983年，編號1909。
(illustration) and R363 (inscription). 林巳奈夫，《殷周青銅器綜覽》，卷一（圖版），東京，1984年，頁110，簋248。
Zhou Fagao, Zhang Risheng and Huang Qiuyue, Sandai jijin wencun zhulu biao Thomas Lawton，’An Imperial Legacy Revisited: Bronze Vessels
(Contents of Literature of Surviving Writings from the Xia, Shang, and Zhou from the Qing Palace Collection’，《Asian Art》，卷1，編號1，1987-8，
Dynasties), Taipei, 1977, no. 1303 (inscription only). 頁51-79。
Zhou Fagao, Sandaijijin wencun bu (Supplements of surviving writings from Jessica Rawson，《趙氏山海樓所藏古代青銅器》，香港，1988年，編號21。
the Xia, Shang and Zhou dynasties), Taipei, 1980, no. 363 (inscription only). 中國社會科學院考古研究所，《殷周金文集成》，北京，1984年，編號3270。
Sun Zhichu, Jinwen zhulu jianmu (Brief Contents of Literature of Archaic 馬承源，《中國青銅器》，上海，2009年，頁122，圖23。
Bronze Inscriptions), Beijing, 1981, no. 1735 (inscription only). 吳鎮烽，《商周青銅器銘文暨圖像集成》，上海，2012，卷8，頁221，
Yan Yiping, Jinwen Zongji (Corpus of Bronze Inscriptions), Taipei, 1983, no. 編號3922。
1909 (inscription only). Giuseppe Eskenazi with Hajni Elias，《A Dealer’s Hand, The Chinese
The Institute of Archaeology, Chinese Academy of Social Sciences, Yinzhou Art World Through the Eyes of Giuseppe Eskenazi》，倫敦，2012年，
jinwen jicheng (Compendium of Yin and Zhou Bronze Inscriptions), Beijing, 頁82，圖版71。
1984, no. 3270. (inscription only).
Minao Hayashi, In Shu seidoki soran (Conspectus of Yin and Zhou Bronzes),
vol. 1 (plates), Tokyo, 1984, p. 110, gui no. 248.
Thomas Lawton, ‘An Imperial Legacy Revisited: Bronze Vessels from the Qing
Palace Collection’, Asian Art, vol. 1, no. 1, Fall/Winter 1987-8, pp. 51-79.
Jessica Rawson, The Bella and P.P. Chiu Collection of Ancient Chinese Bronzes,
Hong Kong, 1988, no. 21.
Ma Chengyuan, Zhongguo qingtongqi (The Chinese Bronzes), Shanghai, 2009,
p. 122, fg. 23.
Wu Zhenfeng, Shangzhou qingtongqi mingwen ji tuxiang jicheng (Compendium
of Inscriptions and Images of Bronzes from the Shang and Zhou Dynasties),
Shanghai, 2012, vol. 8, p. 221, no. 3922.
Giuseppe Eskenazi with Hajni Elias, A Dealer’s Hand, The Chinese Art World
Through the Eyes of Giuseppe Eskenazi, London, 2012, p. 82, fg. 71.

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