Page 23 - Jindezhen Porcelain Production of the 19th C. by Ellen Huang, Univ. San Diego 2008
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one of the most important specialists on porcelain in the late Qing dynasty and first half
the twentieth century, worked. Through the forum of the exhibitions, Guo’s essay, “Brief
Description of Porcelain” (Ciqi gaishuo), was translated, printed in exhibition catalogues,
sent to English collectors and educators, and used by twentieth century specialists in art
history to write about Chinese ceramics. There was also the practical fact that Guo was
responsible for the selection of porcelain objects sent from Beijing to be displayed in the
various exhibition venues. While the discursive framework surrounding the discussions
and representations of porcelain was certainly nation-centered, the event’s publicity
generated an unprecedented opportunity for the influence of Guo Baochang, whose views
and intentions combined imperial, national, and personal objectives to put forth a
narrative of porcelain history centered on falangcai enameled porcelain and the brilliant
imperial porcelain commissioners (dutaoguan).
Clearly, we know that the story ends with porcelain emerging as a national icon,
but it begins with a book published in the early nineteenth century. The second chapter
of the dissertation moves backward in time to the beginning of our story in order to
consider the first specialized book on Jingdezhen ceramics, the Jingdezhen Tao lu.
Writing of the book began in the 1790s but its first publication occurred in 1815. The
final form consisted of an important first chapter (juan) that included the woodblock
printed images portraying porcelain production, which also made the Jingdezhen Tao lu
the first illustrated manual on Jingdezhen porcelain. The book’s nineteenth century
circulation history demonstrates that the history of its reception – and of porcelain’s
canonization – is unique. The book was translated at the height of the western industrial
intrusion into Qing territory. Both instances of its translation occurred in the middle of