Page 77 - Jindezhen Porcelain Production of the 19th C. by Ellen Huang, Univ. San Diego 2008
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                       14
                         Shenbao, April 8, 1935.

                       15  Xinwenbao, April 9, 1935.

                       16  Da Gongbao, July 30, 1936. The characters in the article were: ཱིɓඣʘ଻၅.

                       17  Tie Yuan ᚛๕ and Liu Liying ᄎᘆ጑, “Qingdai dutaoguan” ૶˾ຖௗ֜ in Jiangxi
                       cangci quanji: Qing daiϪГᔛନΌණ: 淸˾ [The complete collection of porcelain of
                       Jiangxi province: porcelain of the Qing dynasty] (Beijing: Chaohua, 2005); Liu Lanhua
                       ᄎᚆശ and Zhang Bo ੵݡ, Qingdai taoci ૶˾ௗନ [Qing dynasty porcelain] (Harbin:
                       Beifang wenwu zazhi, 1988).

                       18
                         See Xiang ZhuoΣ⇱, Jingdezhen taoye jishi౻ᅃᕄௗุߏԫ [Records of the
                       Porcelain Industry in Jindezhen] (1920) in Nanjing shi geye gaikuang diaochaیԯ̹΢
                       ุ฿رሜݟ <Nanjing city survey of industries> (Nanjing: Shoudu gejie tichang guohuo
                       weiyuanhui diaochazu, 1935).  Jingdezhen taoye jishi is also reprinted in Xiong Liao ဤ
                       ྻ and Xiong Weiဤฆ, comps., Zhongguo taoci guji jicheng ʕ国ௗନ̚ᘬණϓ
                       [Annotated collection of historical documents on ancient Chinese ceramics] (Shanghai:
                       Shanghai wenhua chubanshe, 2006), 665-743.  See Xiong and Xiong, comps. (2006), 731
                       for the reference to Guo Baochang responsibilities for producing Yuan Shikai porcelain.

                       19 Thomas Lawton, A Time of Transition: Two Collectors of Chinese Art (1991) gives an
                       overview of Ferguson’s career in researching and collecting Chinese art.

                       20
                         Before the Exhibition of Chinese Art, the Royal Academy had already hosted exhibits
                       highlighting specifically Italian, French, German, and other national art traditions. “Zhi
                       you bei qinzhan de tudi meiyou bei qinzhan de wenhua – Zhongguo zai qianyun zhong de
                       zhanlan,” ̥Ϟ஗ڧٙ̕ɺή,没Ϟ஗ڧٙ̕˖ʷ——国宝ί迁运ʕٙ࢝览
                       [Conquered territory but unconquered culture] Zijin cheng 132:5 (2005): n.p.
                       Eumorfopoulos collection of ceramics was the basis of the British Museum’s Chinese
                       ceramics collection that was established first in the 1890’s when the effort to build a
                       collection Chinese art at the museum began.

                       21  “Chinese Art: Exhibition in London Next Winter,” The Times, January 17, 1935.

                       22  In Na Zhiliang ԟқԄ, Dian shou gugong guobao qishi nianՊς݂ࢗ਷ᘒɖɤϋ
                       [Protecting national treasures for seventy years] (Beijing: Zijincheng, 2004).

                       23  Percival David, “A Preliminary Survey,” The Burlington Magazine, lxvii: 393
                       (December, 1935), 239.
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