Page 81 - Jindezhen Porcelain Production of the 19th C. by Ellen Huang, Univ. San Diego 2008

64

56
Stephen W. Bushell, L’art chinois, trans., H.D’Ardenne de Tizac (Paris: Librairie
Renouard, H. Laurens, 1910).

57
Dai Yue ᏖᏋ, trans. Zhongguo meishu ʕ਷ߕஔ [Chinese Art] (Shanghai: Shangwu
nd
st
yinshu guan, 1928 2 edition [1923, 1 edition]).

58 See James Hevia, English Lessons (Durham and London: Duke University Press, 2003)
for a critical analysis of the connections between Bushell, the establishment of the
discipline of art history in England, and the phenomenon of looting. Hevia points out
that the objects were sold by the Qing government to raise funds in order to pay the
indemnities exacted by the foreign governments in Beijing for recompense the loss
resulting from the Boxer uprising.

59
Zhuang Shangyan, “Fu Ying canjia Lundun Zhongguo yishu guoji zhanlan huiji”
(1936), 163.

60 Wu Hufan, Lin Yutang in Da Gongbao, April 16, 1935; also their articles in Xinwen
bao, April 24, 1935.

61
Teng Gu, Xinwenbao, April 25, 1935: ϤᗳʈЪ, ਷࢕ၾኪஔྠ᜗Ꮠε౤ࡇ.
62 Wu Hufan, Lin Yutang in Da Gongbao, April, 16, 1935.

63
Wu Hufan, Da Gongbao, April, 16, 1935: The characters are εމࡇኬ...͊֐ڢ˰ޢ
ᖵஔʘֱʛʛ.

64
Ye Gongchuo, Da Gongbao April 6, 1935.

65 Da Gongbao, August 13, 1936.

66 Zhuang Shangyan, “Fu Ying canjia Lundun Zhongguo yishu guoji zhanlan huiji,” 147.
See also Zheng Tianxi’s report on his role as protector of these artifacts: Zheng Tianxi,
“Canjia Lundun Zhongguo yishu guoji zhanlan hui baogao” (1936).

67 John C. Ferguson, “Reflections on the London Exhibition of Chinese Art,” T’ien Hsia
Monthly 2:5 (May, 1936): 434.

68
Xu Beihong, Da Gongbao, April 13, 1935.

69 “Chinese here oppose plans for exhibit,” Peiping chronicle, January 22, 1935.

70
Xue Quanceng “Lundun Yizhanhui Zhongguo zhanpin guomu ji,” 122-123.

71 Fu Zhenlun “Zhongguo yishu guoji zhanlan canguan ji,” 167.