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66
xue bao፱ྐྵɽኪኪజ125, 1 (1994): 78; Guo Baochang ݒᑭӄ, ed., Qing gaozong
yuzhi yongci shi lu ౢۚሷ⚢ᇅ䩨Ռℬ仛 [Poems by Emperor Qianlong Inscribed on
Porcelains] (Peking: Zhizhai shushe, 1917, 1929). Guo Baochang ݒᑭӄ, Zhizhai
cicheng ☊≫ՌӰ [Catalogue of Porcelain in the Zhizhai Collection] (Peking: Zhizhai
shu she, 1935). John C. Ferguson, "A Ceramic Lute of the Sung Dynasty by Guo
Shiwu," China Journal 11 (1929); Guo Baochang, “Gugong bianqin ji,” ݂፫ೞা [A
lute in the Palace Museum] Gugong zhoukan ݂մ̊ 1 (1929); Yu Yingںᆦ, "Hua
Shuo Hongxian Ci,"༑Ⴍݳኮϣ [Speaking of Hongxian Porcelain], Minguo chunqiu͏
݆߇ , no. 4 (1994); “'Zhizhai' cang pin shen jia gao" ¦ㄡᓈ§ᔛۜԒូ৷ [The
value of ‘Zhizhai’ collection pieces is high], Cnlife365 ᇏݓളࠃຩ, March 28, 2005,
<http://www.cnlife365.com/collection/2005/03/28/2608,5304.htm>, accessed April 22,
2007; Ma Chang, “Yidai cijia Guo Baochang,” ɓ˾ନெ [A generation’s
porcelain expert Guo Baochang] Hainei yu haiwai ऎ内ऎ̮ 5 (2006): 58-59; Guo
Baochang and John Calvin Ferguson, trans. and annot., Noted Porcelain of Successive
Dynasties (Beijing: Zhizhai shushe, 1931); Guo Baochang, “Tang Jun gong xiansheng
taowu jinian biao,” ࡥڲʮ͛ௗਕߏϋڌ [Chronicle of Tang Ying’s career] reprinted
in Beijing tushuguan cang zhen ben nianpu congkan, ed., Beijing tushuguan (Beijing:
Beijing tushuguan chubanshe, 1999).
80
Chinese Organizing Committee, The London International Exhibition of Chinese Art:
Catalogue of Exhibits at The Preliminary Exhibition in Shanghai, April 8-May 1, 1935
(Nanjing: Chinese Organizing Committee, 1935), Part III. This is a rare edition of an
initial catalogue publication and is at the Needham Research Institute library in
Cambridge, England.
81 W.B Honey, “Foreword,” in Later Chinese Porcelain: The Ch’ing Dynasty, First
American edition, Soame Jenyns (New York: Yoseloff, 1965). The book was written in
the 1940s in England. See Jenyns, Later Chinese Porcelain: The Ch’ing Dynasty, 77 for
another reference to Guo Baochang.
82 Chang Yu-chuan, “The Legal Practitioner in China,” The Chinese Social and Political
Science Review 22:2 (1938) gives one an idea of who the translator was.
83
Chinese Organizing Committee, Canjia Lundun Zhongguo yishu guoji zhanlan chupin
tushuo, (1936). Catalogue of the International Exhibition of Chinese Art, 1935-1936
(London: Royal Academy of Arts, 1935 [first, second edition]; 1936 [third ed.]); The
Chinese Exhibition: A Commemorative Catalogue of the International Exhibition of
Chinese Art, Royal Academy of Arts, November 1935-March 1936 (London: Faber and
Faber, 1936).
84 I thank Professor Dorothy Ko for clarifying the name of the pawn shop.