Page 84 - Jindezhen Porcelain Production of the 19th C. by Ellen Huang, Univ. San Diego 2008

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85 Yu Ying, "Hua Shuo Hongxian Ci" (1994); Cao Rulin ૎ϧᎌbelieved that Guo
Baochang simply began as a servant in the Yuan household. It does not make sense
given that Guo did evince some skill at photographic printing in the production of a forty
volume oversized catalogue on hard paper of his own art collection. The set is stored in
the rare books library at the Percival David Foundation. Mark Chou, A Discourse on
Hung Hsien Porcelain, 9 and 10.

86
Thomas Lawton (1991).

87
Xiang Zhuo, Jingdezhen Taoye jishi (1920). See also Jingdezhen taoci shigao ౻ᅃᕄ
ௗନ̦ᇃ [Draft History of Jingdezhen] ed., Jiangxi Light Industry Department,
Ceramics Institute (Beijing: Sanlian shudian chuban, 1959), 305-306.

88
Ma Chang, “Yidai cijia Guo Baochang,” 58. Guo Baochang was the grandfather of Ma
Chang, the author of the article.

89 Mark Chou, A Discourse on Hung Hsien Porcelain, 15.

90
Ru porcelains were in production for only a brief twenty-year span between the years
1086 and 1106 just before the northern territory was conquered by the Mongol forces,
forcing the kilns to shut down production. Presently, less than seventy known pieces are
extant in collections worldwide: National Palace Museum, Da Guan: Bei Song Ruyao
tezhanɽᝈ: ̏҂ϧᇉत࢝ Grand View: Special Exhibition of Ju Ware from the
Northern Sung Dynasty (Taipei: National Palace Museum, 2006).

91
Shih Chingfei, “A Unique Collection of “Painted Enamels” at the Qing Court,”
unpublished conference paper at the National Palace Museum (Taipei), 2003.

nd
92 For example, see archives of Yangxindian zaobanchu qingdang, Kangxi 32 year.

93
Jingdezhen Tao lu, juan 7. The version I have used most often in the dissertation’s
reference notes is Lan Pu ᔝऌ and Zheng Tinggui ቍҒ࣭, Jingdezhen taolu ౻ᅃᕄௗ
፽ [Records on Jingdezhen Porcelain] (1815), ed., Mian Lianਐஹ (Jinan: Shandong
huabao, 2004). The book has been republished and gone through many reprints in the
twentieth century. Hereafter, my citations to Jingdezhen Tao lu refer to the Mian Lian
edition unless otherwise indicated.

94 th
Urban Council, Brush and Clay: Chinese Porcelain of the Early 20 Century (Hong
Kong: Hong Kong Museum of Art, 1990).

95 Dong Lianzhi, “Xinfaxian Tang Ying taozheng shiyugao zixu”(1994): 78.

96
Ma Chang, “Yidai cijia Guo Baochang,” 59.