Page 86 - Jindezhen Porcelain Production of the 19th C. by Ellen Huang, Univ. San Diego 2008
P. 86

69




                       ɛːႧІءʛᔖ͉ίௗ࿶ڷࢸնҽୠાʛʮྒྷ̡࿶Շଊʦɦ࿶ɘϪʔਖ਼ຖௗϾௗމ
                       ਖ਼ᔖᝈϤ̙˸ٝ΋͛Ӷf

                       111
                          Jingdezhen Tao lu, juan 5.

                       112
                          See the Cai Hebi, ᇹձᓴ “Jianduguan, xiezao yu Qianlong yuyao xingshuai de
                       guanxi,” ္ຖ֜՘ிၾ৻ඤ੿ᇉጳসٙᗫڷ [Relationship between the rise and fall of
                       Qianlong imperial kilns and kiln supervisor and deputy assistants] Gugong xueshu jikan
                       ݂ࢗኪஔ֙̊ 21:2 (2003): 39-55; The memorials quoted in Cai’s article show a wide
                       array of terms with which these officials sent from the court were referred.

                       113
                          Liu Lanhua and Zhang Bo, Qingdai taoci (1988), 22-23.  Liu and Zhang assign the
                       category of “dutaoguan” to all types of officials who had a role in management.  The
                       essay, “Qingdai yuyaochang de dutaoguan,” in Tie Yuan and Liu Liying, Jiangxi cangci
                       quanji: Qing dai (2005), 223-232 also uses this term dutaoguan to encompass a system
                       of administration that actually included various officials of different position names.

                       114
                          This section was drawn from the citations of Qing government memorials quoted in
                       Cai Hebi, “Jianduguan, xiezao yu Qianlong yuyao xingshuai de guanxi” (2003): 39-55.

                       115
                          Guo Baochang, “Tang Jun gong xiansheng taowu jinian biao,” 354.

                       116  Guo Baochang, Zhizhai cicheng (1935).  I thank Stacy Pierson and Elizabeth Jackson
                       for opening the rare book library of the now in-transition Percival David Foundation of
                       Chinese Art, which had been shut down for a move to the British Museum in fall 2007.
                       Exactly how the Zhizhai cicheng ultimately became part of the library in London is
                       unknown.  My analysis was conducted over several visits as the library was only able to
                       be opened to my use for two hours at a time and my guess regarding its provenance is a
                       result of conversations with Stacy Pierson and Elizabeth Jackson.

                       117
                          See fn. 93 in this same chapter.

                       118  This production process is similar to the wares that were exported in increasing
                       number to Southeast Asia during the nineteenth century.  See the third chapter of the
                       dissertation.

                       119
                          Yu Ying, "Hua Shuo Hongxian Ci,” 57.
   81   82   83   84   85   86   87   88   89   90   91