Page 128 - Chinese Art Bonhams San Francisco December 18, 2017
P. 128

1015
                                                                              ANONYMOUS (MING DYNASTY
                                                                              OR LATER)
                                                                              Pure Wisdom Bodhisattva
                                                                              Ink and color on silk, framed and glazed,
                                                                              the bodhisattva supported by an elaborately
                                                                              rendered multi-level throne, reversed by a
                                                                              flaming mandorla beneath a parasol floating
                                                                              amid multi-colored tufts of cloud and smoke,
                                                                              the figure seated in dhyanasana, gently
                                                                              clasping a long-stemmed lotus and bearing a
                                                                              peaceful expression beneath her high chignon
                                                                              centered by three small jewels.
                                                                              61 3/4 x 29 3/4in (157 x 75.6cm) sight
                                                                              $20,000 - 30,000

                                                                              無款 清淨慧菩薩 設色絹本 鏡框

                                                                              Provenance
                                                                              by repute, purchased in San Francisco in
                                                                              the 1950s

                                                                              The current lot was likely one of a set of
                                                                              images used for a ‘Water-Land Assembly.’
                                                                              As Patricia Berger explains in The Latter Days
                                                                              of the Law: Images of Chinese Buddhism
                                                                              850-1850 (Honolulu: University of Hawaii,
                                                                              1994), ‘of all the tantric rites introduced into
                                                                              China during the Tang, [the Water-Land
                                                                              Assembly] struck the most responsive chord
                                                                              in the hearts of Chinese Buddhists because
                                                                              it was designed to honor and sustain the
                                                                              dead (a major Confucian virtue)... An essential
                                                                              component of the rite was an elaborate suite
                                                                              of images, representing all the classes of
                                                                              beings in the Chinese universe,’ (95). The
                                                                              image of the Qingjing Hui Pusa in the current
                                                                              lot is a deity described in the Yuanjiao Jing,
                                                                              a sutra regarded as apocryphal by scholars.
                                                                              This means paradoxically that despite its
                                                                              role in a ritual with tantric Indian roots, the
                                                                              figure depicted in this painting is a purely Han
                                                                              Chinese creation.

                                                                              See Op. Cit, 95 no 26 for a Shakyamuni scroll
                                                                              created as part of a ‘Water-Land Assembly’
                                                                              set at the Baoning monastery in Shanxi, the
                                                                              ‘most famous of the suites’ (96) dated to
                                                                              ca. 1460 and created to pray for the safety
                                                                              of the recently abducted Ming Yingzong
                                                                              emperor. Note the similarity to the present
                                                                              lot in the ornate throne, attire, and jeweled
                                                                              parasol floating in the sky as well as the
                                                                              overall composition of the image. A possibly
                                                                              later depiction of Yamantaka offered in these
                                                                              rooms also likely created for a water-land ritual
                                                                              shares the similarly-rendered blue and red
                                                                              flames encircling this deity-- see lot 6437 from
                                                                              sale 24263 of 28 June 2017.







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