Page 185 - 2019 October Important Chinese Art Sotheby's Hong Kong
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The iconography relates to Shakyamuni Buddha’s first   that revolutionised the dating of Kashmir sculpture is a
                             sermon after his enlightenment given at Mrigadava, the   standing Buddha with similar robe style, physiognomic
                             deer park at Sarnath, where he set in motion the Wheel of   details and pedestal to the one in Beijing, and datable both
                             Dharma: the episode is personified in the dharmachakra   by palaeography and reference in the inscription to the
                             hand gestures. This iconographic representation, together   founder of the Karkota dynasty Durlabhavardhana (r. ca.
                             with the standing Buddha image where the right hand is   600-636) see Ulrich von Schroeder, Buddhist Sculptures in
                             held in a gesture of reassurance, abhayamudra, are the   Tibet, Hong Kong, 2001, vol. 1, pp. 126-29, pls 28A-D.
                             two most popular forms of Buddha found in early Kashmir   For other examples of prototypes to the current sculpture,
                             art. Works such as this made their way to Tibet upon the   see a 7th–8th century Kashmir figure of Buddha with similar
                             demise of Buddhism in Kashmir and were highly prized: the   iconography from the Qing court collection, now preserved
                             11th century royal monk Nagaraja had a large collection of   in the Palace Museum, Beijing, illustrated in Classics of the
                             Kashmir bronzes as well as locally made western Tibetan   Forbidden City. Tibetan Buddhist Sculptures, op.cit., 2012,
                             works.
                                                                       no. 53; one in Los Angeles County Museum of Art, originally
                             Kashmiri sculptures of this type were always thought to date   in the collection of Nasli and Alice Heeramaneck, M.69.13.5,
                             from the 9th century. However, the discovery within the last   illustrated online; and a third without the elaborate openwork
                             twenty years of an important inscribed Kashmir bronze in a   base, formerly in the collection of Professor Samuel
                             Tibetan monastery collection has prompted a re-evaluation   Eilenberg and Simon Digby, sold in these rooms, 7th October
                             of Kashmir sculpture that has allowed rare images of this   2015, lot 3101.
                             form to be re-dated to the 7th century. The inscribed bronze
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