Page 228 - 2019 October Important Chinese Art Sotheby's Hong Kong
P. 228

A PRIVATE COLLECTION OF
           GOLD-SPLASHED INCENSE BURNERS


           LOTS 3646-3659

           The diverse range of shapes and the brilliance of the abstract   The origin of gilt-bronze splash remains a source of
           gold splashes on this carefully selected group of incense   speculation. Gerard Tsang and Hugh Moss in Arts from the
           burners reveal the true connoisseurship of the collector.   Scholar’s Studio, Hong Kong, 1986, p. 184, mention that the
           Their forms take inspiration from antiquity, each distinct   popularity of this surface decoration was fostered by Xuande
           from the other, but they are united by the irregular spots   bronzes of the Ming dynasty, where the appearance of the
           and flakes of gold that cover their well-patinated bodies.   gold splashes was caused by the uneven surface patination
           These seem to emerge from the alloy at different angles,   of the vessel. Some scholars have linked gold-splashed
           in the random fashion that minerals such as gold are   decoration on bronzes to qingbai and Longquan wares
           discovered in their natural state. This gives a most pleasing   of the Song, Yuan and Ming dynasties. In the exhibition
           overall appearance, the gold splashes not distracting from   catalogue China’s Renaissance in Bronze, Phoenix Art
           the overall forms of the vessels but subtly reinforcing their   Museum, Phoenix, 1993, p. 169, Robert Mowry mentions
           distinct individuality. For in contrast to archaic ritual bronzes,   the appearance of fine paper enlivened with flecks of
           primarily made for ceremonial use or for the tomb, these   gold and silver from the early 15th century and suggests
           brilliant legacies of late Ming and early Qing China were   that this ‘might have also played a role in the creation of
           a celebration of life, to be used in daily settings and for   such abstract decoration, either directly inspiring those
           bringing warmth and rich colour to a scholar’s desk.                                          who designed the bronzes or indirectly moulding taste to
                                                     appreciate objects sprinkled with gold and silver’.























































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