Page 281 - Chinese Porcelain Vol II, Galland
P. 281

KAKIYEMON.                      377

     correct, but that  Tokuzayemon  is not the same  person  as the
     Kakiyemon  or  Kakayemon  referred to  by  Mr.  Winthrop ; that
     later on the two worked  together,  the latter  being  the artist
     whose work  is so celebrated  through having  been  copied  all
     over  Europe.  The  Japanese say  that  although  he never lost
     his  individuality  of  style,  at the same time he no doubt
     followed Chinese models, and that as the Chinese  improved  he
     advanced, his  early  work  being very  inferior to his latter
                  He                       to have lived from
     productions.     is  generally supposed
     about 1610 to about 1690, and  painted up pretty  well to the
     last, some few  very  fine  specimens  of his late  style  are said to
                 "
     exist, signed  Kaki."
        Many may prefer  the soft-  looking paste  of the old  Japan
     to the harder and more vitreous        of the Chinese, but
                                   porcelain
     if  during any range  of  years,  a  comparison  is made either as
     to the enamels  employed  or the skill with which  they  are
             to the         it will        be found that most
     applied       porcelain,      probably
     will decide in favour of the Chinese, as do the  Japanese  them-
     selves.
         Kakiyemon,  like  many  other Chinese and  Japanese artists,
     followed what  is known in  Japan  as the Kinrante  style,  from
     their decorations  resembling  that of brocades, and  Kakiyemon's
      flowers and birds  all look  very  much as  if  they  had been
      cut out  of  a  bit  of silk brocade.  This he  probably got
               from the Chinese, but when we now come across a
      originally
           of Chinese          so decorated we at once   it  is
      piece          porcelain                        say
      in the  Kakiyemon style.
         "       "
          Yemon    seems to be a  very  common name in  Japan,  and
                         to have been known       Mr.
      many potters appear                  by  it.    Audsley
        Keramic Art of               was told that one Tominura
      ("              Japan," p. 115)
      Kanyemon  had to commit Hara Kari for   dealing  with the
      Dutch in contravention of the then  existing law, but this was
      not our friend  Kakiyemon.
         No. 648. An  octagon  bowl.  Diameter, 8f inches  ; height,
      4  inches.  No mark.   Is said to be one  of  Kakiyemon's
      earliest       It  is  painted  in  light-coloured  blues and
              pieces.
             with red flowers.
      greens
         No. 649. An  octagon plate.  Diameter, 14^ inches ; height,
                      "     "
      2 inches.  Mark,  Kaki  in  green.  This is said to be one of
      his latest.  The back of this beautiful  plate  is as  carefully
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