Page 282 - Chinese Porcelain Vol II, Galland
P. 282

KAKIYEMON.
             378
             decorated as the front, with     of flowers
                                        sprays          finely painted
             in  bright  enamels.  The border on the rim, as seen in the
                        is a sort of salmon-colour with white
             photograph,                                    arabesque
             work, relieved  by slightly  tinted  foliage.  The four birds are
             in red, and the flowers in various colours.  The  dragon  in the
             centre forms a circle.
                No. 650          a Chinese
                        represents        plate.  Diameter, 13f inches  ;
             height,  2 inches.  No mark, and is decorated in what is known
             as the  Kakiyemon  style.  It  probably belongs  to about the
                                The            bands on the rim are in
             Yung-ching period.     key pattern
             blue under the      the rest of the decoration    in
                           glaze,                        being   gilt
             and red.  In the centre the decoration is in blue and  green
             enamels with  aubergine, red, and  gilt.
                With  regard  to Nos. 648 to 650, Mr.  Winthrop  writes as
                     "
             follows  The little        bowl         a
                                octagon      appears  charming speci-
                   :
             men, in the real  Kakayemon taste, while the whole decoration
             of the  octagon plate  is Chinese, unless, perhaps,  the four  sprays.
             It  may  be a matter of  opinion  as to the  superiority  of the later
             work of this artist.  The   of the little bowl is individual,
                                   design
             while that of the                           from Chinese
                            octagon plate  is  literally copied
             work, all  except  the  sprays  of conventional flowers that recall
             the  designs  of  Kakayemon,  such  as we know them.  The
             photograph  is most  interesting."
                The redecoration on the bottles, Nos. 421, 422, is considered
             by Japanese  to be the work of  Kakiyemon,  but if he died before
             1690 it is difficult to believe that this can be the case, as the
             bottles themselves would seem to  belong  to the last half of the
             reign  of  Kang-he.  Unless the  Japanese place  his death at too
             early  a date,  it is  equally unlikely  that he ever  painted  the
             plate  No. 649, the mark on which, unfortunately,  does not  carry
             conviction, and we are forced to the conclusion that we must
             look      the name            as that, not so much of an
                 upon           Kakiyemon
             individual as of a school whose work was  contemporaneous  with
             that carried on in China     the        and
                                   during    Kang-he     Yung-ching
             periods.
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