Page 68 - Chinese Porcelain Vol II, Galland
P. 68

294                   KANG-HE.

            Ch'iu was able to influence a number of fairies to come and set
            all in order    so that the
                      again,           garden flourished, and water was
            miraculously supplied  for all  its needs.  (The above  is the
                             but does not seem
            explanation given,               very satisfactory.  I am,
            however, assured that it is correct."  E. M.  L.)
               Dr. Edkins writes that Chinese         are to a
                                             paintings         large
            extent traditional, and that  they go  on  reproducing  celebrated
            old  pictures long  after the  original  has  disappeared.  This  may
                   account for the motives sometimes        to
            perhaps                                 seeming    ill fit
            the  representations given,  but the  pictures,  as a rule, as Mr.
                                                "
            Monkhouse      at   107 of his book,  are          com-
                       says,  p.                     admirably
                 with        to the       of the        The ladies in
            posed     regard       telling      story."
                                        the
            this case, no doubt, represent  fairies, and the Chinese,
            knowing  the  picture,  can at once  give  the motive.
               The reader will notice that the characters in the mark are
            not at  equal distances, still in this case  they  seem to bear the
                   of the                and were                on
            impress      Imperial factory,       undoubtedly put
            when the      was made and before  it was decorated.  The
                     piece
            whole has a  genuine look, but whether the mark dates from
            before or after the  prohibition  of nien-hao in 1677 is a  question
            (see p. 298).
                      Famille Verte with Blue over the Glaze.
               We have now reached the first  piece  on which we find the
            blue over the     a method of decoration that seems to have
                        glaze,
            been introduced           in this
                          pretty early      reign.
               No. 508        to Mr. G. R. Davies, who has     sent
                      belongs                            kindly
                                          "
            the  following description  of it  :  A  white-ground plate, lOi
            inches in diameter.  The      is a     seated on a bench
                                   subject    lady
            nursing  a  baby, apparently  in the  open  air, with a circular
            balustrade and tree in flower with red blossoms in the back-
                    To the left is a      with          and trees, in
            ground.                picture     landscape
            black and       surrounded    a  deep  frame of blue, with
                      sepia,           by
            diaper design  in  black, round  which, on the  outside,  is a
            narrow band of          and on the inside a narrow band of
                          aubergine,
            the same colour and a      broader one of        On the
                                slightly             yellow.
            lower       of the      is a table on which  is a
                 portion       plate                      flower-pot
            containing plants  and flowers.  The decoration is in famille
            verte, and the  drawing  well executed, and the enamels brilliant
            and  in  good  preservation,  that  principally employed being
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