Page 137 - Bonhams Chinese & Asian Works of Art Los Angelis December 14 2020
P. 137

PROPERTY FROM THE COLLECTION OF MARTIN
           COHEN
           300
           ANONYMOUS
           Bato Kannon
           Edo period (1615-1868), 19th century
           Ink, color, and gold on paper depicting Bato Kannon
           (Avalokitesvara) and his attendants surrounded by four wrathful
           deities and hiten (apsara), mounted on a silk ground, laid down
           and framed
           10 1/4 x 9 5/8in (26 x 24.4cm), image only; 28 1/2 x 17 1/4in
           (72.4 x 43.8cm) overall
           $2,500 - 3,500






                                                                               300








           PROPERTY OF VARIOUS OWNERS
           301
           HAKUIN EKAKU (1686-1769)
           Willow Kannon
           Edo period (1615-1868), mid-18th century
           Kakejiku (hanging scroll), ink on paper in silk mounts,
           depicting the bodhisattva Kannon clothed in white robes
           with an elaborate headdress seated on a pile of leaves
           floating on clouds, with downcast eyes and wearing her
           typical compassionate smile, both hands holding aloft a bowl
           containing a willow branch, the kohai (halo) behind her head
           inscribed Muryo, Fukujukai, Shigenjijusho (A limitless ocean
           of good fortune and longevity, her kindly eyes view the whole
           of creation), the character ju (long life) written larger than the
           others, sealed Kokan’i, Hakuin no in, and Ekaku
           Overall 88 x 32 1/4in (223 x 82cm); image 71 x 23in (180 x
           58cm)
           $8,000 - 12,000

           For other depictions by Hakuin of Kannon with similar
           iconography, inscriptions, and attributes, compare a hanging
           scroll sold at Bonhams, London, November 7, 2019, lot 152,
           and Audrey Yoshiko Seo and Stephen Addiss, The Sound of
           One Hand: Paintings and Calligraphy by Zen Master Hakuin,
           Boston, Shambhala Publications, 2010, pl. 2.7 and 2.8; the
           branch of willow seen to the left of the composition can be
           used to ward off disaster or illness, while the bodhisattva’s
           white robes and leaf or grass mat—immortalized in a scroll by
           Kano Motonobu in the Museum of Fine Arts, Boston—became
           favored attributes during the fourteenth and fifteenth centuries.


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