Page 142 - Bonhams Chinese & Asian Works of Art Los Angelis December 14 2020
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                                                                   TERASAKI KOGYO (1866-1919)
                                                                   Evening Landscape
                                                                   Meiji era (1868-1912), early 20th century
                                                                   Kakejiku (hanging scroll), ink on paper in silk mounts, depicting
                                                                   a moonlit pine forest by a shore, signed at lower left Kogyo and
                                                                   sealed Sozan
                                                                   Overall 72 3/4 x 23in (185 x 58cm); image 40 x 15 3/4in (102
                                                                   x 40cm).

                                                                   $4,000 - 6,000
                                                                   A versatile artist, Terasaki Kogyo studied with a wide variety of
                                                                   teachers – in the Kano, Murayama-Shijo, and Nanga traditions
                                                                   – before settling in the early 1900s on his own distinctive semi-
                                                                   abstract tonal ink landscape manner which echoes that of
                                                                   several other late-Meiji ink painters, such as Tsuji Kako. He was
                                                                   also famous as a designer of war prints and lithographs and a
                                                                   painter of beautiful women.

                                                                   310
                                                                   KONDO KOICHIRO (1884-1962)
                                                                   Late Spring in Northern Honshu
                                                                   Showa era (1926-1989), mid-20th century
                                                                   Kakejiku (hanging scroll), ink on paper in silk mounts, depicting
                                                                   a cloudy mountain landscape composed in traditional Chinese
                                                                   manner, in the foreground a pine forest looming over a solitary
                                                                   farmer working with a water buffalo in a rice paddy, signed at
                                                                   top right Koichiro sha (Drawn by Koichiro) with a seal
                                                                   With a wooden tomobako storage box inscribed Koshiji
           309                                                     banshun (Late spring in northern Honshu) and signed Koichiro
                                                                   dai (Inscribed by Koichiro) with the same seal
                                                                   Overall 86 1/4 x 22 3/4in (219 x 58cm); image 53 3/4 x 15in
                                                                   (136 x 38cm)

                                                                   $4,000 - 6,000
                                                                   Famous for his cartoons and illustrations for books and
                                                                   newspapers, Kondo Koichiro worked in Western style during
                                                                   his early career but switched to atmospheric Japanese-style
                                                                   landscape painting during the second decade of the twentieth
                                                                   century. He traveled widely in Japan, including Hokkaido, as
                                                                   well as to China and Europe, where he captured the attention
                                     310                           of André Malraux, who included a Japanese-style ink painter
                                                                   named Kama, based on Kondo, in his novel La Condition
                                                                   humaine.
                                                                   311
                                                                   KAWAI GYOKUDO (1873-1957)
                                                                   Two Cranes
                                                                   Showa era (1926-1989), mid-20th century
                                                                   Kakejiku (hanging scroll), ink and slight color on paper in silk
                                                                   mounts, depicting a pair of tanchozuru (Manchurian cranes)
                                                                   standing in turbulent water, signed at top right Gyokudo with
                                                                   a seal
                                                                   Overall 56 x 25 1/2in (142 x 65cm); image 16 x 20in (41 x
                                                                   51cm)
                                                                   $1,500 - 2,500

                                                                   One of the most popular and influential Japanese-style artists
                                                                   of the early twentieth century, Kawai Gyokudo worked in an
                                                                   eclectic manner that combines elements of both the Asian and
                                                                   the Western tradition. The present scroll reflects his early study
                                                                   of the Shijo style of naturalistic, closely observed painting,
                                                                   expressed with masterful command of ink brushwork.
           311


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