Page 112 - Song Ceramics Lunyushanren Collection March 2018 NYC
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           南       A VERY RARE AND IMPORTANT GUAN-                     南宋   龍泉窯仿官釉貫耳壺
           宋       TYPE LONGQUAN CELADON HU-SHAPED
                   VASE
           龍       SOUTHERN SONG DYNASTY (1127-1279)
           泉
           窯       The pear-shaped body of oval section is divided into four   來源
           青       horizontal registers which have raised vertical ridges on four   安宅收藏。
                   sides simulating the fanges of archaic bronze vessels, and is
           磁       fanked by two lug handles. The vase is covered overall with a   展覽
           仿       lustrous glaze of bluish-green tone, suffused with extensive ice   日本經濟新聞社,《美の美展》,第6回,東京日本橋三越百貨公
                                                                       司, 1967年8月29日至9月3日。
                   crackles and a wider network of gold crackles.
           官                                                           佳士得,《古韻天成:臨宇山人宋瓷珍藏展覽》,香港,2012年
           釉       8√ in. (22.5 cm.) high, Japanese triple wood box    11月22至27日;紐約,2013年3月15至20日;倫敦,2013年5月
           壷                                                           10至14日。
                   $40,000-60,000               £30,000-44,000         著錄
                                           HK$320,000-460,000
                                                                       日本經濟新聞社,《美の美展》,第6回,東京,1967年。
                                                                       佳士得,《古韻天成:臨宇山人宋瓷珍藏展覽》,香港,
                   PROVENANCE
                                                                       2012年,182-183頁,編號79。
                   The Ataka Collection.
                   EXHIBITED
                   Nihon Keizai Shinbunsha, Bi no bi ten (The Beauty of Beauty
                   Exhibition), no. 6, Tokyo Nihonbashi Mitsukoshi Department
                   Store, 29 August to 3 September 1967.
                   Christie’s, The Classic Age of Chinese Ceramics: An Exhibition of
                   Song Treasures from the Linyushanren Collection, Hong Kong, 22 to
                   27 November 2012; New York, 15 to 20 March 2013; London,
                   10 to 14 May 2013.

                   LITERATURE
                   Nihon Keizai Shinbunsha, Bi no bi ten (The Beauty of Beauty
                   Exhibition), no. 6, Tokyo, 1967.
                   Christie’s, The Classic Age of Chinese Ceramics: An Exhibition
                   of Song Treasures from the Linyushanren Collection, Hong Kong,
                   2012, pp. 182-183, no. 79




































           The Classic Age of Chinese Ceramics 古韻天成 — 臨宇山人珍藏(三)                                                     110
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