Page 92 - Song Ceramics Lunyushanren Collection March 2018 NYC
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           宋       A BLACK-GLAZED CONICAL TEA BOWL                     宋   黑釉白口盞
                   SONG DYNASTY (960-1279)
           白
           縁       The bowl is covered inside and out with a lustrous black glaze   來源
           天       below a band of creamy white slip under a clear glaze on the   古美術下條,東京。
           目       mouth rim.                                          展覽
           碗       6¿ in. (15.6 cm.) diam., Japanese wood box          佳士得,《古韻天成:臨宇山人宋瓷珍藏展覽》,香港,2012年
                                                                       11月22至27日;紐約,2013年3月15至20日;倫敦,2013年5月
                                                                       10至14日。
                   $6,000-8,000                   £4,500-5,900
                                              HK$47,000-62,000         著錄
                                                                       佳士得,《古韻天成:臨宇山人宋瓷珍藏展覽》,香港,
                   PROVENANCE
                                                                       2012年,87頁,編號27。
                   Shimojo Art, Tokyo.
                                                                       哈佛大學美術館藏有一件相似的黑釉白覆輪盌,載於毛瑞著,
                   EXHIBITED
                                                                       《Hare’s Fur, Tortoiseshell, and Partridge Feathers: Chinese
                   Christie’s, The Classic Age of Chinese Ceramics: An Exhibition of
                   Song Treasures from the Linyushanren Collection, Hong Kong, 22 to   Brown-and Black Glazed Ceramics, 400-1400》,馬薩諸塞劍
                   27 November 2012; New York, 15 to 20 March 2013; London,   橋,1996年,編號31。毛瑞指出此類白覆輪盌的靈感來源於定窯的
                   10 to 14 May 2013.                                  銀扣,這種以陶瓷來模仿金銀器扣的做法最早在漢代就已經存在。
                   LITERATURE
                   Christie’s, The Classic Age of Chinese Ceramics: An Exhibition of
                   Song Treasures from the Linyushanren Collection, Hong Kong, 2012,
                   p. 87, no. 27.
                   Compare the similar bowl from the Arthur M. Sackler
                   Museum, Harvard University Art Museums, illustrated by
                   R. Mowry, Hare’s Fur, Tortoiseshell, and Partridge Feathers:
                   Chinese Brown-and Black Glazed Ceramics, 400-1400, Cambridge,
                   Massachusetts, 1996, no. 31, where the author states that the
                   white rim on bowls of this type was inspired by the silver
                   bands affxed to Ding and other ‘aristocratic’ wares of the Song
                   dynasty. The author further notes that this practice of imitating
                   silver or gold bands on ceramic vessels began at least as early as
                   the Han dynasty (206 BC - AD 220).




































           The Classic Age of Chinese Ceramics 古韻天成 — 臨宇山人珍藏(三)                                                     90
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