Page 102 - The Meiji Aesthetic Christie's Hong Kong.pdf
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明心匠治:亞洲私人收藏明治時代精品
          THE MEIJI AESTHETIC: SELECTED MASTERPIECES FROM A PRIVATE ASIAN COLLECTION









          3831
          A HAMMERED IRON VASE                                明治/大正時代   蹯龍銀胎鐵瓶   銘   重光   (平田重光 1855-1926)
          MEIJI-TAISHO PERIOD (EARLY 20TH CENTURY), SIGNED
          SHIGEMITSU (HIRATA SHIGEMITSU; 1855-1926) AND KATSU...  撇口,長頸,扁圓腹,口沿一周銀飾,細刻龍紋波浪紋,立體
                                                              銀龍盤繞肩頸,腹淺刻波浪紋,構圖精美,鑿刻細緻,活龍活
          The iron vase with compressed bulbous body and long tapering neck,   現,聳壑昂霄,底部銘款。
          designed with waves, the mouth rim applied with a silver chiseled
          with a dragon and waves, the long neck encircled with a silver dragon   展覽
          fnely cast and chiseled, the signature on base      「異國風情-亞洲文物展」,臺北故宮博物院,2004年,展覽圖
          9¬ in. (24.4 cm.) high                              錄編號54。
                                                              「驚人的明治工藝」,東京藝術大學美術館,2016年9月7日-10
          HK$100,000-120,000                  US$13,000-15,000  月30日;京都細見美術館,2016年11月12日-12月25日;埼玉縣
                                                              川越市立美術館,2017年4月22日-6月11日;展覽圖錄展品編號
          EXHIBITED                                           78。
          National Palace Museum, “The arts and Cultures of Asia,” 2004. cat.
          no. 54.                                             著錄
          “Meiji Kogei: Amazing Japanese Art,” shown at the following   郭鴻盛及張元鳳主編,《明治之美》,國立臺灣師範大學文物
          venues: Tokyo University of the Arts Museum, 2016.9.7-10.30.   保存維護研究發展中心,2013年,頁207。
          Hosomi Museum, Kyoto, 2016.11.12-12.25. Kawagoe City Art
          Museum, 2017.4.22-6.11. cat. no. 78.                平田重光為明治及大正時代金工名匠,作品供天皇御用,屢獲
                                                              邀展出海外,與黑川榮勝(1854-1917年)於1887年創立東京彫
          LITERATURE                                          工會鍛金部。
          Kuo Hong-Sheng and Chang Yuan-Feng, chief eds. et al., Meiji no bi
          / Splendid Beauty: Illustrious Crafts of the Meiji Period (Taipei: National
          Taiwan Normal University Research Center for Conservation of
          Cultural Relics, 2013), p. 207.
          Hirata Shigemitsu was one of the most prominent metal-
          hammering craftsmen of the Meiji and Taisho periods. He
          produced work mainly for the Imperial Household and also
          exhibited regularly in international exhibitions. With Kurokawa
          Eisho (1854-1917), Hirata initiated the metal-hammering division
          of the Tokyo Chokokai (Tokyo Society of Metal Artists), founded
          in 1887.
          For a pair of silver vases by Hirata Shigemitsu in the collection
          of the Imperial Household, see The Era of Meiji Bijutsu-kai and
          Nihon Kinko Kyokai, in Meiji bijutsu saiken I (Reappraisal of Meiji
          Art I) (Tokyo: Museum of the Imperial Collections, Sannomaru
          Shozokan, 1995), no. 27.
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