Page 110 - Edo: Art in Japan, 1615–1868
P. 110

cat. 54
          Saddle and stirrups with
          cosmetic brush design,
           eighteenth  century,
        saddle of lacquer  over wood
             with makie,
        stirrups of iron and  lacquer
          over wood with makie,
         height of saddle  38 (15),
         Tokyo National  Museum





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                    ARMOR      The form of Japanese  armor was well established in the  middle of the  Heian period  (794-1185). Thus
                               the  sword, the  bow, the  naginata (a glaive with  a curved blade broader than that of a sword), and  other

                               eleventh-century  armor would not have looked out of place in a nineteenth-century  daimyo's  proces-
                               sion. Changes were introduced over the  ages in accordance with changes in fashions of warfare, but  the
                               basic  design of the  armor remained  the same.
                                      Armor of the  early periods was  greatly prized. A daimyo might choose to wear a piece of armor
                               made in the Heian- or Kamakura-period style and even have an early helmet bowl built into the copy.
                               The early armors, known as  ôyoroi (great harnesses), were designed to withstand  arrows and glancing
                               sword cuts and at the same time allow maximum freedom  of movement for the wearer to bring his
                               own weapons into play. The principle of the  oyoroi was flexibility. Apart from  the helmet, the main com-
                               ponents  are made up of numerous slender lacquered iron plates, each just a few inches long but linked
                               together by braid in horizontal rows. The boxlike cuirass is formed of four walls, each composed of one
                               or more layers of sections  of such linked rows and joined by cords at the  four corners. The whole  was
                               secured on the  right side of the  body, with  a further  piece, the  waidate, covering the join. A solid iron
                               sheet, the breast plate (munaita), protected the upper part of the  chest. The cuirass was covered with
                               a leather  piece, often  dyed and embossed, which  allowed the bowstring to pass unimpeded  across  the
                               body. The whole was hung over the  shoulder by substantial  straps.
                                      A skirt (kusazuri) of linked rows of plates was  suspended  in four  sections  from  the  front, back,
                               and  sides. Two large rectangular shoulder guards (ósode)  of the  same flexible construction hung  from
                               the shoulders; tied loosely to the arms and across the back, they acted as moving shields  when  the
                               arms were raised. A close-fitting sleeve  (feote)  was worn on the  left  arm  only in the  early period, since
                               the  right arm had  to be free  for aiming arrows and the  left  was exposed when  carrying the  bow. The
                               sleeve — made of silk and  covered with chain mail as well as longitudinal iron plates  on the  upper
                               and lower arm and on the back of the hand — extended  from  the  shoulder  to the  fingertips. Two
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