Page 333 - Edo: Art in Japan, 1615–1868
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                     188                             brated Benten Shrine, approached by  painting. The Akita daimyo Satake
                     Odano Naotake (1749-1780)       a bridge from  the  right. Puffy  white  Shozan (1748-1785) strongly promoted
                     Shinobazu Pond                  clouds (of unpainted silk) scud in  the  such studies  and was a creditable
                                                     blue sky, and the  silhouetted forms  painter himself. Naotake became
                     Hanging scroll; ink and  color on silk
                                3
                     97.5x132.5 (38 /8X52Vs)         cast carefully  observed mirror images  friends with the western-influenced
                                                     into the
                                                            reflective lake. Although
                                                                                      Renaissance man Hiraga Gennai
                     Akita Museum of Modern Art      hybrid in style, the picture was exe-  (1726 -1779) who was invited to Akita
                     Important Cultural Property
                                                     cuted in traditional materials. This  to supervise  mining. When Naotake
                                                     site in the heart of the world's largest  was later sent to learn metallurgy in
                     •  This unique painting merges ram-
                     pant eclecticism in an unexpectedly  metropolis was (and still is) a popular  Edo, he stayed in Gennai's lodgings in
                                                     area for taking the air and seeing  the  the  capital. Unfortunately, as so often
                     harmonious vision. An enormous  urn  sights. Here it is eerily denatured,  happened  in a society subscribing to
                     of pink and white peonies, a smaller  silent, static, and rarefied  in a manner  the  system  of collective responsibility,
                     but equally colorful flowerpot behind  typical of Akita-school painting.
                     it, and  a portion  of a tree trunk — all                        Gennai became embroiled in a scandal,
                     rendered with almost photographic  Odano Naotake, whose father was a  was imprisoned, and died shortly
                                                                                      thereafter. Naotake was among those
                     clarity and careful  attention  to a  retainer of the  daimyo of Akita in
                     unified light source in the  western  northern Japan, was tutored  in the  taken down with Gennai: he was
                     manner — serve as agents of repous-  cultural pursuits usual for a young  stripped  of his position, recalled to
                     soir against  an East Asian ink-and-  samurai: Confucian  studies  and  Akita in disgrace, and  dispossessed.
                                                                                      All this seems to have been
                                                                                                           so devas-
                     wash backdrop. The view is of Edo's  painting. But because the Akita area  tating that he died soon afterward,
                     famous Shinobazu Pond and its cele-  was  a center for investigations of  his brilliant career cut short at the
                                                     western  science known as Dutch  age  of thirty-one. MT
                                                     studies, Naotake also learned about
                                                     western  techniques  of mining and
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