Page 336 - Edo: Art in Japan, 1615–1868
P. 336

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                                   Both Banks of the  Yodo River  must  peculiar convention  of the  scenery
                                   surely delineate  one of the  largest  on the near  shore being depicted
                                   slices  of topography ever  presented  upside down hails  from  the mapping
                                   in a single continuous  composition:  tradition; here the artist tried to show
                                   the  scroll begins in Kyoto and  ends  each bank as it would be seen  from
                                   in Osaka. Ôkyo's careful,  consistent  the  opposite  shore. Both Banks of the
                                   manipulation  of space, chiaroscuro  Yodo  River is thus an idiosyncratic
                                   modeling of the mountains,  and  combination  of the conceptual and
                                   attention  to minute  detail prefigure  the  perceptual. MT
                                   his large cityscapes such  as the
                                   Bird's-Eye View  of  Kyoto, and  were
                                   passed  on to his followers. The
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