Page 224 - Christie's Asia Week March 2024 Chinese Art
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Property from a Private Collection, London
                                                                     ⱷ1115
                                                                     A TALL PETRIFIED WOOD 'SCHOLAR'S
                                                                     ROCK'
                                                                     63 in. (160 cm.) high, rootwood stand
                                                                     $10,000-15,000
                                                                     PROVENANCE:
                                                                     Private collection, London.
                                                                     LITERATURE:
                                                                     M. Flacks, Contemplating Rocks, London, 2013, pp. 66-7, and 180.
                                                                     太湖⊅ϭ
                                                                     Ϝ源
                                                                     і敦私́珍藏
                                                                     ֨ḛ
                                                                     馬科斯g弗拉Գ斯, ǗContemplating Rocksǘ, і敦, 2013年, 頁 66 7,
                                                                     及180

                                                                     Property from a Private Collection, London
                                                                     ⱷ1116
                                                                     LIU DAN (B. 1953)
                                                                     Rock
                                                                     Scroll, mounted and framed, ink on paper
                                                                     72 1∕8 x 39 7∕8 in. (183 x 101 cm.)
                                                                     With one seal of the artist
                                                                     Executed in 2006
                                                                     $80,000-120,000
                                                                     PROVENANCE:
                                                                     The Chinese Porcelain Company, New York, 2007.

                                                                     劉丹(1953年生)
                                                                     雅⊅
                                                                     水ખ紙本 鏡框 ̣ǔǔՍ年η
                                                                     鈐印:劉丹̃印
                                                                     Ϝ源
                                                                     中४瓷器Ռ司,紐☼,2007年

                                                                     In the tradition of rock collecting and connoisseurship in
                                                                     China, rocks have long been viewed as microcosms of the
                                                                     universe that invite contemplation. Meticulously rendered
                                                                     with a sense of heightened hyperrealism, Rock unfolds as
                                                                     an intimate portrait of a slender scholar’s rock, with jagged
                                                                     peaks and angled crags rising from the abyss. Liu Dan
                                                                     transforms the rock's textured surfaces into a gateway to an
                                                                     imaginary world.

                                                                     The art of Liu Dan is deeply rooted in the classical tradition
                                                                     of Chinese ink painting, and yet he approaches the
                                                                     medium with a distinctively contemporary perspective. His
                                                                     fascination with the structural essences of objects prompts
                                                                     him to extract the rock from its original context, thereby
                                                                     making it simultaneously familiar and strange. Through the
                                                                     act of decontextualization and magnification to the extreme,
                                                                     Liu Dan ventures beyond narrative constraints in pursuit of a
                                                                     pure visual experience.










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