Page 225 - Christie's Asia Week March 2024 Chinese Art
P. 225

Property from a Private Collection, London
 ⱷ1115
 A TALL PETRIFIED WOOD 'SCHOLAR'S
 ROCK'
 63 in. (160 cm.) high, rootwood stand
 $10,000-15,000
 PROVENANCE:
 Private collection, London.
 LITERATURE:
 M. Flacks, Contemplating Rocks, London, 2013, pp. 66-7, and 180.
 太湖⊅ϭ
 Ϝ源
 і敦私́珍藏
 ֨ḛ
 馬科斯g弗拉Գ斯, ǗContemplating Rocksǘ, і敦, 2013年, 頁 66 7,
 及180

 Property from a Private Collection, London
 ⱷ1116
 LIU DAN (B. 1953)
 Rock
 Scroll, mounted and framed, ink on paper
 72 1∕8 x 39 7∕8 in. (183 x 101 cm.)
 With one seal of the artist
 Executed in 2006
 $80,000-120,000
 PROVENANCE:
 The Chinese Porcelain Company, New York, 2007.

 劉丹(1953年生)
 雅⊅
 水ખ紙本 鏡框 ̣ǔǔՍ年η
 鈐印:劉丹̃印
 Ϝ源
 中४瓷器Ռ司,紐☼,2007年

 In the tradition of rock collecting and connoisseurship in
 China, rocks have long been viewed as microcosms of the
 universe that invite contemplation. Meticulously rendered
 with a sense of heightened hyperrealism, Rock unfolds as
 an intimate portrait of a slender scholar’s rock, with jagged
 peaks and angled crags rising from the abyss. Liu Dan
 transforms the rock's textured surfaces into a gateway to an
 imaginary world.

 The art of Liu Dan is deeply rooted in the classical tradition
 of Chinese ink painting, and yet he approaches the
 medium with a distinctively contemporary perspective. His
 fascination with the structural essences of objects prompts
 him to extract the rock from its original context, thereby
 making it simultaneously familiar and strange. Through the
 act of decontextualization and magnification to the extreme,
 Liu Dan ventures beyond narrative constraints in pursuit of a
 pure visual experience.










 1115 (another view)  1115
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