Page 99 - Christie's Asia Week March 2024 Chinese Art
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IMPORTANT CHINESE ART INCLUDING THE COLLECTION OF DOROTHY TAPPER GOLDMAN









 Important Chinese Ceramics from the Linyushanren Collection
 ⱷ911
 A VERY RARE JIZHOU PAPERCUT RESIST-  臨宇山́珍藏重要中४瓷器
 DECORATED BOWL  南宋   吉州⒋剪紙貼花梅紋盌
 SOUTHERN SONG DYNASTY (1127-1279)  Ϝ源
 ⁸Ḍ益田孝(1848 1938)珍藏,東̺(據木盒標籤)
 6¿ in. (15.6 cm.) diam., silk pouch, Japanese double wood box with inscriptions
 展覽
 $60,000-80,000  名۵屋,丸栄百貨Ռ司,ǙExhibition for One Hundred Tea Bowlǚ,1968年11月
 16日至21日
 PROVENANCE:
 Baron Masuda (Masuda Takashi, 1848-1938) Collection, Tokyo (according to
 label on box).
 EXHIBITED:
 Nagoya, Maruei department store, Exhibition for One Hundred Tea Bowl,
 16-21 November 1968.


 Among the daring and innovative techniques for which the Jizhou kilns   A bowl of similar decoration and size (15.2 cm. diam.), but a more
 in Jiangxi province are most famous is the technique of using paper   golden-toned ground on the interior, from the Avery Brundage
 cut-outs as stencils to create resist designs. Carefully detailed on the   Collection, Asian Art Museum of San Francisco, is illustrated by
 interior with fifteen stylized papercut plum blossoms, with an extremely   R. Mowry, ibid., p. 250, no. 101. For examples of smaller size, see a
 well-preserved glossy glaze, this bowl is an exceptional example of its   bowl from the Charles B. Hoyt Collection in the Museum of Fine
 type. For a discussion of the processes involved in producing designs   Arts, Boston, illustrated in Oriental Ceramics, The World's Great
 using paper cut-outs, see R. Mowry, Hare's Fur, Tortoiseshell, and   Collections, Tokyo, 1980, vol. 10, no. 171, and the bowl from the
 Partridge Feathers: Chinese Brown and Black-Glazed Ceramics, 400-  Charlotte Horstmann Collection sold at Christie’s New York,
 1400, Cambridge, Massachusetts, 1996, pp. 36-7.  26 May 2003, lot 218.







































 (another view with boxes)

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