Page 53 - Sothebys Important Chinese Art April 3 2018
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Each concise yet freely painted stroke is visible on the   equal less than half those unearthed from the Xuande stratum,
                            decoration of this vase and reflects the intentional and   even though the latter period was so much shorter (see Liu
                            derivative nature of the changing aesthetic of the era. After   Xinyuan, ‘Reconstructing Chenghua Porcelain from Historical
                            decades of importing Lajiward cobalt from the Middle East, by   Records’, The Emperor’s Broken china: Reconstructing
                            the mid-fifteenth century it was reaching the end of its supply.   Chenghua Porcelain, Sotheby’s London, 1995, p. 11).
                            As a result, the government began to mine the domestic Bo
                                                                      Amongst the larger vessels made in the Chenghua period,
                            Tang mine in Jingdezhen. This elegant mid-hue pigment, with
                                                                      see a pear-shape vase decorated with similarly rendered
                            several rich and light distinct layers, was distinctly different
                                                                      lotus scrolls, on a tall flared foot and flanked with handles,
                            from the deep and intense colour characteristic of early-
                                                                      from the collection of L.A. Basmadgieff, sold in our London
                            Ming porcelain. Ink-like in texture and more even than the
                                                                      rooms, 11th December 1979, lot 278, and again in these rooms,
                            foreign type, this pigment was devoid of ‘heaping and piling’;
                                                                      8th April 2011, lot 3199; a bottle vase painted with phoenix
                            thus designs that highlighted the beauty of this cobalt were
                                                                      among lotus scrolls, published in The Emperor’s Broken china:
                            developed. The individually rendered lotus petals and the
                                                                      Reconstructing Chenghua Porcelain, ibid., pl. 47, together with
                            carefully shaded stiff leaves of the present piece point to the   a fragmentary ewer, pl. 48; and a lobed vase, from the Qing
                            control craftsmen were able to exert over the medium, and the
                                                                      Court collection and still in Beijing, illustrated in The Complete
                            resulting ink painting effect they were able to achieve.
                                                                      Collection of Treasures of the Palace Museum. Blue and White
                            Chenghua period vessels are rare, with the majority of extant   Porcelain with Underglazed Red (II), Shanghai, 2000, pl. 1.
                            vessels consisting of smaller utility vessels such as bowl   Compare also a meiping attributed to the Chenghua period,
                            and dishes. Liu Xinyuan describes the volume of fragments   included in Geng Baochang, op. cit., p. 88, fig. 150, together
                            recovered from the site of the Ming imperial kilns at Zhushan,   with a guan jar, fig. 152; and a ‘lotus bud’ vase, col. pl. 33 and
                            Jingdezhen, Jiangxi province, where the Chenghua fragments   fig. 151, to be offered in our New York rooms, 20th March 2018,
                                                                      lot 113.















































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