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           638                                               639
           A CLEAR ROCK CRYSTAL SNUFF BOTTLE                 A ROCK CRYSTAL ‘SEA-SPRAY’ SNUFF BOTTLE
           1840-1900                                         1750-1850
           Of flattened spade shape with slightly tapering cylindrical neck and   Of large rounded square shape with sloping shoulders, supported on
           narrow oval foot with rounded foot rim, the main faces primarily plain   an oval foot ring, the transparent body with a fine network of delicate
           excepting fine etched manes extending from the low-relief lion-mask   sea-spray inclusions throughout.
           handles on the shoulder above extended fixed-ring handles on the   2 3/8in (5.8cm), stopper
           narrow sides.
           2 5/16in (5.9cm) high, stopper                    $2,000 - 3,000

           $1,200 - 1,800                                    1750-1850年 素晶鼻煙壺

           1840-1900年 水晶光素鼻煙壺                                Provenance:
                                                             Sotheby Parke Bernet, 12 March 1980, lot 224
           For a similar example, see Hugh M. Moss, Chinese Snuff Bottles,
           London, 1970, p. 118, no. 48.                     Illustrated:
                                                             ICSBS Journal, Summer 1991, cover
                                                             Chinese Snuff Bottles from the collection of Emily Byrne Curtis, Newark
                                                             Museum of Art, Soho Bodhi, 1982, no. 30

                                                             For two quite similar examples and a discussion on the use of a rock
                                                             crystal with the delicate network of white inclusions, variously called
                                                             ‘sea-spray’, ‘net’ or ‘cracked-ice’ crystal, see Hugh Moss, Victor
                                                             Graham and Ka Bo Tsang, The Art of the Chinese Snuff Bottle, The
                                                             J & J Collection, Vol. 1, p. 174-175, no’s. no. 95 and 96. All three
                                                             descriptions are self evident, and each makes perfect sense. Moss,
                                                             et. al., then discuss the appeal that this material would have when the
                                                             bottle is actually in use and full of tobacco, that they offer would only
                                                             enhance the markings within the stone.
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