Page 60 - September 21 2021 Curtis collections snuff bottles Bonhams NYC
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           A WHITE JADE SNUFF BOTTLE WITH FLORAL MEDALLIONS  A SMALL RECTANGULAR ‘PANELED’ WHITE JADE SNUFF
           1730-1820                                         BOTTLE
           Of flattened tapering baluster shape, the body carved with eight   1750-1850
           circular medallions, two overlapping, each with differing petal-form   Of tapering rectangular shape, the main faces plain and softly
           designs, standing on a shallow-scooped oval foot, the color of even   chamfered at the paneled edges, the narrow sides delicately carved
           tone throughout.                                  with superbly executed lion-mask fixed-ring handles, supported on a
           2 1/2in (6.3cm) high, stopper                     rounded rectangular raised foot.
                                                             2 1/8in (5.4cm) high, stopper
           $2,000 - 3,000
                                                             $1,000 - 1,500
           1780-1820年 白玉團花紋鼻煙壺

           For an almost identical bottle both in shape and decoration, see   1750-1850年 白玉雕舖首銜環鼻煙壺
           Christie’s, New York, 17-18th March 2016, lot 1700. Described as
           probably Imperial and probably Palace Workshops, Beijing, the bottle   Provenance:
           had been in the collection of Enid and Brodie Lodge (1880-1967). It is   Acquired in San Francisco, November, 1998
           highly unusual to find this design on a jade snuff bottle, though several
           glass overlay and porcelain bottles do carry this form of decoration. It
           is more often encountered in Imperial ‘famille rose’ porcelain vessels
           (bowls and jars) from the Yongzheng and Qianlong periods. For an
           example see Porcelains in Polychrome and Contrasting Colors, The
           Complete Collection of Treasures of the Palace Museum, Hong Kong,
           2008, p. 248, no. 227.

           For a similar flattened oviform jade bottle, presumably made for the
           Court, see Snuff Bottles from the Collection of the National Palace
           Museum, Taipei, 1991, p. 155, nos. 135. Three others, of cylindrical
           form but with comparable high shoulders, are illustrated, p. 151, nos.
           124-26.

           The flowerhead roundels appear to derive their origins from a
           Japanese aesthetic of heraldic symbols (mon), seen primarily in
           lacquerware and textiles. The use of these symbols in kosometsuke
           ceramics of the late Ming is well known.
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