Page 62 - September 21 2021 Curtis collections snuff bottles Bonhams NYC
P. 62

657
           A SUPERB WHITE JADE ‘EGGPLANT-FORM’ SNUFF BOTTLE
           1730-1800
           Magnificently carved with the most subtle of gradations in the shape
           of an eggplant with a leafy collar at the mouth of the bottle and with a
           more high-relief gnarled branch extending from one side and trailing
           veined leaves towards the wider base which is further carved with two
           butterflies or moths.
           2 1/2in (6.3cm) high, stopper
           $7,000 - 10,000

           1730-1800年 白玉雕花卉蝴蝶紋鼻煙壺

           Provenance:
           Alice McReynolds Collection

           See Hugh Moss, Victor Graham and Ka Bo Tsang, A Treasury of
           Chinese Snuff Bottles, The Mary and George Bloch Collection, Vol.
           1, Part 1, Jade, pp. 154-155, no. 62, for a discussion of a series of
           fruit-, flower-, and vegetable-form bottles, mostly of white or greenish-
           white nephrite and sometimes with areas of brown skin, which form
           a large and well-known group. The authors suggest that the entire
           oeuvre might best be termed as ‘naturalistic’ thus embracing all forms
           dictated by nature, be it flora or fauna. He further argues that whilst
           many of the group were certainly made at different centers, there
           seems to be evidence that they were popular at Court and that a fair
           number of them might have been made in the Imperial workshops.
           Their popularity at Court can not be in doubt given the large proportion
           of published nephrite bottles from the Imperial collection.

           For a group of fruit-form bottles, including an example of aubergine
           shape not so very different from ours, see Michael C. Hughes, The
           Chester Beatty Library, Dublin, Chinese Snuff Bottles, Baltimore, 2009,
           pp. 60-69, no’s. 43-50.

           For another example of slightly more slender form, see Ning Wang,
           One Man’s Choice, II, Beijing, 2009, p. 54, no. 52.





















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