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           PROPERTY FROM A DISTINGUISHED EAST COAST PRIVATE   十七世紀 林朝景作德化白釉老子坐像
           COLLECTION
                                                     《林朝景印》款
           A VERY RARE ‘DEHUA’ FIGURE OF LAOZI, BY
           LIN CHAOJING, 17TH CENTURY
           the back impressed with a four-character seal mark reading
           Lin Chaojing yin (Seal of Lin Chaojing)
           Height 9⅛ in., 23.3 cm
           The present figure is a rare delight. Intricately rendered with
           a serene expression, flowing beard and gently draping robes
           that tread the line between the aethereal and the realist, this
           seated figure is one of but a handful of surviving examples
           attributed to master potter Lin Chaojing.
           Depicting a Daoist Immortal – likely Laozi himself – sat in
           quiet contemplation, the present figure is of an extremely rare
           subject matter rarely preserved in Dehua porcelain. Indeed,
           of the almost four thousand Dehua pieces analyzed by Liu
           Youzheng in his comprehensive study Zhongguo Dehua baici
           yanjiu / Blanc de Chine, Beijing, 2007, only around five hundred
           could confidently be classified as Daoist and far fewer bearing
           any resemblance to the present figure: compare three related,
           though quite dissimilar, bearded Daoist figures included in the
           study, op. cit., col. pls 36-38, the first being a representation
           of the drunken Li Bai (of He Chaozong mark) with closely
           related facial hair fading into the poet’s bare chest. To date,
           only one other figure of Laozi of this serene style appears to be
           published, illustrated with some damage sustained to the head
           and extremities in Geng Dongsheng, Ming Qing Dehua baici
           [Ming and Qing Dehua porcelain], Guangxi, 2014, pl. 36.
           A leading member of the famous Lin Family, active in Dehua
           in the late seventeenth and early eighteenth centuries, Lin
           Chaojing was likely a contemporary of He Chaozong and his
           achievements are similarly celebrated in the Quanzhou fu zhi
           [Gazetteer of Quanzhou Prefecture] of 1612. While in many
           ways comparable to He’s work in terms of quality, the figures
           of Lin Chaojing tend to possess a more transcendental, almost
           wistful, quality unmatched by his contemporaries– with robes
           gathering in casual curves at the figures’ feet, their large eyes
           heavy with contemplation. Compare two other figures bearing
           Lin Chaojing marks, illustrated in P. J. Donnelly’s seminal
           work on the topic, Blanc de Chine, London, 1968, pls 140c
           and 140d: the first depicting a recumbent Guanyin, preserved
           in the Percival David Collection at the British Museum,
           London (accession no. PDF.476); the second, from the Field
           Museum of Natural History, Chicago, depicting a seated Damo
           (Bodhidharma) with particularly expressive facial hair and
           eyebrows; and a third depicting a seated Guanyin, sold at
           Christie’s New York, 18th March 2016, lot 1608.
           $ 60,000-80,000














           84      SOTHEBY’S        COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N11744                                                                                                                                           85
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