Page 7 - Met Museum Ghandara Incense Burner
P. 7

Figure  12. Poseidon.           Hellenistic.      Figure 13.  After  Lysippos,  Poseidon. Hellenistic. Bronze,
                             Brahmapuri, Kolhapur,
              Bronze,  H. 12.8 cm.  Kolhapur  Museum,  932  (photo by   H.  46  cm. Pella  Museum,  M383 (photo:  TAP  Service,  Athens)
                                           of
              Professor Richard  De Puma,  University  Iowa)

              ascribed to the   Campanian  bronze  manufacturing  philosophy.20   practice  did not  preclude  the  pos-
                                                                            This
              center of  Capua,  and  they  are datable to the first cen-   sibility  that  objects, including  Western ones,  were
                            is
              tury  a.d.  Capua  only twenty  miles north of Puteoli   copied  before  being  melted  down,  and it  explains  why
              (modern Pozzuoli)  , the  major  Italian  seaport  for trade  so few ancient bronzes,  Indian or  foreign,  survive  in
              with  Alexandria,  making  it a  logical  source for works  India.  However,  in South India  clay  bullae  were deco-
                      to the East.
              traveling         Capua  was founded  by  the Etrus-  rated with  Roman-style portrait  heads  copied  from
              cans and had a  long  tradition of  metalworking.  The   imported  coins.21 A small Buddhist stone relief  panel
              conclusion of De Puma's  study  is that bronzes  of dif-  from  Amaravati,  in South  India,  which shows  a woman
              ferent  periods  (i.e.,  Hellenistic and  Roman)  were   in classical  dress with Indian  bangles  on her ankles
              imported  into India at the same time.  Thus,  it is not   (Figure  14)  was  probably copied  and modified from a
              ahistorical to seek  prototypes  for Indian works  of art  Roman  original. According  to an  inscription  on the
              of the first and second centuries a.d. or even later  in   relief, it was donated to the Buddhist  community by
              Hellenistic models as well as in Roman works of art.   the wife of a  goldsmith.  suspect  that a Roman bronze
                                                                                    I
                De Puma noted that the  Kolhapur  bronzes were   in the  goldsmith's possession  was  copied  and then
              probably  on their  way  to a  neighboring  foundry  to be   melted down  for other  purposes.22
              melted down for their metal value.19 It is common   Judith Lerner,  in her  1996  article on horizontal-
              practice  in India to melt down all "used"  metal, of   handled  mirrors,  confirmed the  pattern  of trade  sug-
              whatever      The  purpose  is to ensure that  any  bad   gested  by  De Puma.23 She stated that horizontal-handled
                      quality.
              karma  possessed  by  the  original  owner is melted down  mirrors   first on Roman
                                                                                         territory  (and  in Latinum
                                                                      appear
              and a new  object  "reborn,"  consistent  with Indian  and  Campania,  the heart of the Roman  Empire)  and
                              is
                                                                                                            75
   2   3   4   5   6   7   8   9   10   11   12