Page 176 - Bonhams, The H Collection, Classical Chinese Furniture, May 13, 2021 London
P. 176

50 TP Y
           A RARE HUANGHUALI YOKEBACK ‘OFFICIAL’S HAT’
           ARMCHAIR, SICHUTOU GUANMAOYI
           17th century
           Gracefully proportioned with a solidly carved toprail, the shaped yoke
           and upswept flat ends supported on corner posts continuing through
           to the back legs, and flanking a thick s-shaped rectangular back
           splat, the elongated serpentine arms supported by curved stiles and
           posts, the hard-mat seat above the round-section front legs joined by
           continuous beaded and cusped aprons, with side and back stretchers
           with plain aprons and a footrest.
           110.5cm (43 2/8in) high x 57cm (5/8in) wide x 44.5cm (17 1/2in) deep.

           £100,000 - 150,000
           CNY900,000 - 1,400,000

           十七世紀 黃花梨四出頭官帽椅

           Provenance:
           Nicholas Grindley, Barling of Mount Street, London, 13 July 1992
           Sotheby’s New York, 17 March 2015, lot 221
           An important European private collection

           來源:
           1992年7月13日,購自英國倫敦古董商,Barling of Mount
           Street,Nicholas Grindley
           紐約蘇富比,2015年3月17日,拍品編號221
           歐洲重要私人收藏









           The ‘four-corners-exposed’ chair structure is one of the earliest classic   is illustrated by S.Handler, Austere Luminosity of Chinese Classical
           forms found in huanghuali furniture chair design. Early forms of this   Furniture, Berkeley, 2001, p.54, fig.4.14 (one of a pair); a further similar
           chair can be seen in murals at Dunhuang dating from the Southern   armchair is illustrated by R.H.Ellsworth, Chinese Hardwood Furniture
           and Northern Dynasties, which saw a further evolution throughout the   in Hawaiian Collections, Honolulu, 1981, no.10. See also another
           Tang and Song dynasties; see Quincy Chuang ed., Fine Ming and Qing  related armchair with four protruding ends, cloud motif on splat and
           Furniture in the Shanghai Museum, Hong Kong, 1998, p.36.   tendril on apron, Ming dynasty, illustrated by Wang Shixiang, Classic
                                                             Chinese Furniture – Ming and Early Qing Dynasties, Bangkok, 1986,
           The present pair of armchairs represents one of the most sculptural   pl.46; and another example in the collection of the Central Academy of
           forms of Chinese furniture dating to the late Ming period. The graceful   Arts and Crafts, Beijing, illustrated by Chen Zengbi, ‘Central Academy
           and sinuous shaping of the frame members resonate with dynamism   of Arts and Crafts: Illustrations of Collections’ Zhongyang Gongyi
           and elegance, and the vigorous top rails resemble the protruding wings  Meishu Xueyuan Yuancang: Zhenpin Tulu, vol.2: Mingshi Jiaju (‘Ming
           of the hats worn by Ming officials, hence the generic name of ‘official’s   Furniture’), Hong Kong, 1994, p.23.
           hat’ chairs. The flat ends of the yokes and arms impart a restrained
           inner strength reinforcing the stately presence of the chairs.   A similar single huanghuali yokeback armchair, late Ming dynasty, of
                                                             slightly smaller size and with a medallion on the splat, was sold at
           Compare a very similar pair of huanghuali yokeback armchairs,   Sotheby’s Hong Kong, 6 April 2016, lot 108; compare also with a pair
           16th/17th century, illustrated in Splendor of Style: Classical Chinese   of huanghuali yokeback armchairs, 17th century, which was sold at
           Furniture from the Ming and Qing Dynasties, Taipei, 1999, p.82;   Sotheby’s New York, 11-12 September 2012, lot 218.
           another similar example, circa 1600, in the John W. Gruber collection,












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