Page 84 - Bonhams, The H Collection, Classical Chinese Furniture, May 13, 2021 London
P. 84

17 TP Y
           A PAIR OF RARE HUANGHUALI, BURLWOOD AND FRUITWOOD
           ROUND-CORNER CABINETS, YUANJIAOGUI
           17th/18th century
           Each sloping-stile cabinet with a protruding round-cornered top
           supported on slightly-tapered corner posts, enclosing a well-figured
           pair of burlwood door leaves separated by a removable stile, the side
           panels composed of two-board floating panels, the interior fitted with
           two shelves, all above a plain narrow apron and spandrels on legs of
           square section, the reddish colour of the huanghuali frame contrasting
           with the variegated burlwood panels set with baitong fittings.
           113cm (44 1/2in) high x 85cm (33 1/2in) wide x 50cm (19 6/8in) deep. (2).

           £120,000 - 150,000
           CNY1,100,000 - 1,400,000

           十七/十八世紀 黃花梨癭木圓角櫃成對

           Provenance:
           An important European private collection

           來源:
           歐洲重要私人收藏

           Notable for their elegant and tapering lines and the powerful swirls and
           hues of the wood, the present cabinets are among the most successful
           forms of classical Chinese furniture. The very subtle taper in their design
           lends a sense of stability and balance to the form while retaining a very
           graceful and pleasing profile, and the gently tapering sides convey the
           illusion of height and lightness.

           Round-corner cabinets are one of the four types of cabinets with shelves
           created by Chinese furniture makers, along with open-shelf stands
           jiage, cabinets with open shelves liangegui and square-corner cabinets
           fangjiaogui. See Wang Shixiang, Connoisseurship of Chinese Furniture:
           Ming and Early Qing Dynasties, Hong Kong, 1990, vol.1, pp.82 and 85.

           According to Sarah Handler, the form of tapering cabinets originated from
           large chests with panelled doors which, by the Song period, were kept
           on large tables and used to store silk cloths. See an example of these
           large chests depicted in a handscroll painting, attributed to the Southern
           Song dynasty (1127-1279), illustrated by S.Handler, Austere Luminosity of
           Chinese Classical Furniture, Berkeley, 2001, p.244, pl.15.5. In later times,
           medium-sized cabinets such as the present examples were often kept in
           scholars’ studios and used to store books, scrolls or writing instruments.
           A hanging scroll from the set of ‘Eighteen Scholars of the Tang Dynasty’,
           dating to the Ming dynasty and in the National Palace Museum, Taipei,
           depicts a scholar beside a small cabinet about to select a work from the
           books and scrolls stacked on the shelves; see L.Lin, Catalogue to the
           Special Exhibition of Furniture in Paintings, Taipei, 1996, pl.9.

           Compare with a similar huanghuali, burlwood and nanmu round-corner
           cabinet, late 16th-early 18th century, in the Haven Collection, University
           Museum, Hong Kong, illustrated by Chu Pak Lau, Classical Chinese
           Huanghuali Furniture, Hong Kong, 2016, p.227, no.54. See also a related
           pair of similar huanghuali and burlwood cabinets, 17th century, illustrated
           by R.H.Ellsworth, Chinese Furniture, New York, 1970, pl.122.

           A very similar but slightly smaller huanghuali and burlwood round-corner
           cabinet, 18th century, was sold at Christie’s Hong Kong, 6 October 2015,
           lot 263.




                                                  For details of the charges payable in addition to the final Hammer Price of each Lot
           82  |  BONHAMS                         please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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