Page 90 - Sotheby's May 14, 2019 Fine Japanese Art. London
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           ANOTHER PROPERTIES               ordered 51 shields lacquered black and gold
           A LACQUERED SHIELD FOR THE       but twelve were lost off the coast of Hakata
           DUTCH MARKET                     in a great storm, when lacquer workers were
                                            returning from Nagasaki to Kyoto.
           EDO PERIOD, MID-LATE 17 TH
           CENTURY                          The earliest known dated shield, is that made
                                            for Frederik Coyett, Opperhoodf in Deshima in
           花鳥文蒔絵盾、江戸時代、17世紀中期—後期            1648, and this has a very similar design to the
                                            above of a central coat of arms surrounded
           the almost circular leather shield decorated   by sprays and flying birds. Other known
           in gold, black, silver, hiramaki-e and   examples are in the Östasiatiska Museet,
           takamaki-e with a coat of arms surrouded by   Stockholm, Rijksmuseum, Amsterdam:
           birds flying among flower sprays including   inventory no. NG1978-92 and NG-NM-541
           wisteria, plum blossom and fuyo on a black   and the Ashmolean Museum, Oxford, inv. no.
           ground with a gold hiramaki-e border to the   1992.1. 2
           rim, the shield constructed of buffalo leather
           55 cm., 21¾ in. high             1. The Dagregisters Deshima 1657-58.
           Leather shields made from buffalo hide were   2. Oliver Impey, Christian Jörg, Japanese
           exported from Bengal for lacquering. One   Export Lacquer, 1580-1850, (Amsterdam,
           of the earlierst records of export for shields   2005) pl. 461-464, p.193
           is 1647 “sent to Japan a crate of 35 shields
           received from Bengal to be lacqured black   ‡ £ 20,000-30,000
                           1
           with all kinds of foliage.”  In 1657, Batavia   € 23,500-35,300   US$ 26,500-39,700

           88      Buyers are liable to pay both the hammer price (as estimated above) and the buyer’s premium together with any applicable taxes and Artist’s Resale Right (which will depend on the individual circumstanc-
                   es). Refer to the Buying at Auction and VAT sections at the back of this catalogue for further information.
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