Page 122 - Liesurely Life Fine Objects Christies Hong Kong May 2018
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2949
         AN IMPERIAL TIANHUANG ‘HANYUN ZHAI’ SEAL
         JIAQING PERIOD (1796-1820)
         The square columnar seal is carved in low relief depicting a
         tranquil scene with a fishing boat gliding through the river flanked
         by overhanging cliffs. The seal face is carved with the three
         characters Hanyun zhai.
         2 ¡ x 1 æ x 1 æ in. (6 x 2 x 2 cm.) high, 52.8 g, box
         HK$1,000,000-1,500,000        US$130,000-190,000
         The impression of the current seal is illustrated in Guo Fuxiang (ed.),
         Qingdai dihou baoxi yinpu, vol. 9 -Jiaqing (II), Beijing, 2005, p. 200.
         The impression of the current seal can be found in the Jiaqing
         Emperor’s Baosou, compendium of seal impressions, and the size
         and material recorded in the compendium match that of the current
         seal. Notably the compendium states clearly that the seal is made
         of tianhuang, and belongs to a set of three seals, the other two seals
         reading shanli wanwu and zhenzhuo baijia (see Qingdai dihou baoxi
         yinpu, vol. 9, Jiaqing (II), Beijing, 2005, p. 200). As such the current seal
         was part of an imperial set that once belonged to the Jiaqing Emperor.
                                                                                rubbing
                                                                                 拓片
         清嘉慶   田黃「含韻齋」御璽(52.8克)
         印文:含韻齋

         本拍品印文著錄於:
         郭福祥編,《清代帝后寶璽印譜.嘉慶卷二》,第九冊,北京,
         2005年,頁200
                                                                             seal impression
         田黃石質,浮雕淺刻薄意鈕。印文為「含韻齋」三字小篆體陽文。在北                                         印文
         京故宮現藏的《嘉慶寶藪》中有明確著錄,將實物與寶藪比對,該璽無
         論是質地、大小,還是印文的篆法、佈局都與寶藪中的著錄完全吻合。
         《嘉慶寶藪》亦記載此璽的材質,為田黃石。
         「含韻齋」為嘉慶皇帝之璽。嘉慶皇帝是擁有寶璽數量僅次於乾隆的一
         位皇帝,此璽與「善利萬物」、「斟酌百家」構成組璽(見《清代帝后
         寶璽印譜.嘉慶卷二》,第九冊,頁200),且為主璽。嘉慶帝在位的
         二十五年中,就刻製了不下七十組這樣的組璽。                                        Seal impression in Guo Fuxiang (ed.),
                                                                          Qingdai dihou baoxi yinpu,
         在清代帝后寶璽中,壽山石所佔比重非常龐大,鈕飾的製作工藝亦呈多樣                               vol. 9 -Jiaqing (II), Beijing, 2005
                                                                         本拍品印文著錄於郭福祥編,
         性。康熙、雍正時基本以圓雕獸鈕為主,薄意的出現基本在康熙後期左                            《清代帝后寶璽印譜》,第九冊 — 嘉慶卷二,
         右。將此璽與現存北京故宮中,雍正皇帝「恭臨父皇御筆」、「御賜朗吟                                     北京,2005 年
         格寶」、「謙齋」組璽,及「萬國咸寧」、「建中於民」、「和四時」、
         「誠求」、「用中」諸璽比對後可以發現,「含韻齋」田黃寶璽與雍正的
         這些薄意寶璽,在題材和構圖上基本上沒過多的變化。以山石高松的淺浮
         雕構築主景,用薄意印刻手法表現樹影婆娑、江帆遠影,但在雕刻技藝上
         已非常成熟,尤其在印鈕細節上的處理,精細程度已經趨於完美。










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