Page 33 - Chinese Decorative Arts: The Metropolitan Museum of Art Bulletin, v. 55, no. 1 (Summer, 1997)
P. 33

Pillow  in the  Form  Small           everal factors  contributed to the flourish-  Zhangwu  Zhi  (Treatise  on  Superfluous
                                       Boy
                             ofa
          ..................................................................................   of the   in China   Wen   In
                                                 ing     jade industry   during   Things)  by   Zhenheng  (1585-I645).
                           19th
                  Qing  dynasty,  century     the late seventeenth  through  the nineteenth   this work he refers  to a fashionable  green
                        Jadeite               century.  One was  greater  access to the  material;   stone that is not  jade, suggesting  that  jadeite
                    L.  8  3/4  in.  (22.2 cm)   another was  availability  of   large quarried   may  have been known in China  during  the
                  Gift  ofHeber  R.  Bishop,  1902   pieces  of the  stone,  which could be carved   seventeenth  century.
                       02.18.426              into works such as the basin  (pp. 30, 3I)  and   The  prototypes  for this work are  likely  to
                                             this  charming  pillow;  and a third  was the   be ceramic  pillows  made in northern China
                                                      of
                                             importation  jadeite  from  Burma  (Myanmar).  during  the Northern  and Southern  Song peri-
                                             Jadeite  is a different  mineral  from the  nephrite   ods at kilns such as those  producing  Ding  and
                                             commonly  used in  China,  although  both are   Cizhou  wares. The  Ding  kilns  made  pillows
                                                                                           of
                                             generally  termed  "jade."  It is valued for its   in the  shapes  small,  fully  clothed  boys lying
                                                                       and is often
                                             bright green  color  and  translucency   on their  stomachs,  either on mats or on the
                                             made into  jewelry, particularly  in the  West,   ground.  The Cizhou kilns favored  an  image
                                             where  "jade"  is more  apt  to refer to  jadeite   of a small  boy,  often  wearing  the same  scanty
                                             than to  nephrite.  Although  the stone was fre-   clothing  as this  one,  as  painted  decoration  for
                                             quently  used in China  during  the  eighteenth   some ceramic  pillows. Children,  particularly
                                             and nineteenth  centuries,  it is unclear when   young boys,  are a common motif in Chinese
                                             jadeite  was first  imported  from Burma.  One   painting  and decorative  arts  and often  express
                                                                                               to
                                                                                                         a
                                             possible  early  reference  to it is found in the   a  wish for  progeny  perpetuate family's  line.
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