Page 28 - Chinese Decorative Arts: The Metropolitan Museum of Art Bulletin, v. 55, no. 1 (Summer, 1997)
P. 28

Incense Set
             ....................................................................
                      late
                                igth
              Qing dynasty, 18th-early  century
                        Nephrite
                    H.  vase  4  in.  (10.2 cm)
                  Gif ofHeber  R.  Bishop,  1902
                        02.18.537

              his incense set was made for domestic   techniques  jade  manufacture and a taste for   foreign jades  was  largely responsible  for the
                                                      of
              use in a  family  altar rather than for a   the stone  into India. The earliest  Mughal jades   growth  of the  Mughal style  in this medium in
          religious setting.  The vase would have held   date from the late sixteenth  century,  and the   China. He was  particularly impressed by  the
          the  spatula  and  tongs  for  handling  the  pow-   craft flourished  during  the seventeenth and   thinness of the Indian  pieces, and,  as a  result,
          dered  incense,  which would have been stored   eighteenth  centuries.   some  late-eighteenth-century  works,  especially
          in the covered  box and lit in the burner.   A  jade  carved in the  Mughal style  was  given   those made in the  imperial workshops  in
            The thin walls of the three  vessels and the   as tribute to the  Qianlong  emperor  (r. I736-95)   Beijing,  have thinner walls than were common
          delicate  fluting  of their sides are  typical  of   in  I758  by  Mongol people  known as the Ili   in the Chinese tradition  in an  attempt  to imi-
                                                      a
          Chinese  jades  carved  to resemble works  pro-   Dzungars.  Additional works of this  type  made  tate  Mughal jades.  The Indian  jades  in the
          duced  at the  Mughal  courts. The  Mughals,  who   in India and Central  Asia,  often  presented  by   National Palace  Museum,  Taipei,  were once
          ruled a  large  part  of India  from the sixteenth   officials  of  Xinjiang Province,  reached the   part  of the  Qianlong emperor's  collection
          through  the  early  nineteenth  century,  were   court  during  the late  eighteenth  century.  These   and form the  largest group  of this material
          descendants of the Timurid and Safavid  rulers   pieces  were collected and studied  by  the   surviving  anywhere  in the world.   DPL
          of Persia.  They imported  Persian and Turkish   Qianlong emperor,  whose fascination for the
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