Page 116 - J.J. Lally Chinese Art CHRISTIE'S March 23 2023 NYC
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860 A RARE AND LARGE YAOZHOU                                北宋 金ǭ十Հ世紀ǭ
               CELADON TRIPOD CENSER                                耀州窯青釉印花龍紋雙耳Ӳ足‐
               NORTHERN SONG-JIN DYNASTY, 12TH CENTURY
               The compressed censer is raised on three paw-form feet   Ϝ源
               surmounted by animal masks, and is decorated with a continuous   藍理捷
 紐約
 編號
               band of six molded archaistic dragon motifs separated by plain
               flanges, all below a short waisted neck interrupted by a pair of   A similar Yaozhou censer, with molded as opposed to flat flanges,
               angular bail handles that rise from the wide everted rim. The   in the Shaanxi History Museum, is illustrated in The Masterpieces
               censer is covered on the exterior and the interior of the rim with    of Yaozhou Ware, Osaka, 1997, p. 82, no. 104, where it was dated
               a pale green glaze continuing over the rounded base.  to the Jin dynasty. The same censer was previously illustrated by
                                                                    W. Watson in The Genius of China: An Exhibition of Archaeological
               9¿ in. (23.2 cm.) high, cloth box
                                                                    finds of the People’s Republic of China, London, 1973, p. 151, no. 337.
               $50,000-70,000                                       See, also, the large Yaozhou celadon censer of very similar form,
                                                                    but lacking handles, formerly in the Collection of E.G. Kostolani,
               PROVENANCE:
               J. J. Lally & Co., New York, no. 1774.               W. W. Winkworth and F. M. Mayer, illustrated by P. Dubosc in
                                                                    Mostra d’Arte Cinese: Settimo Centenario di Marco Polo, Venice, 1954,
                                                                    p. 121, no. 416, and illustrated again by J. Cahill in The Art of
                                                                    Southern Sung China, New York, 1962, no. 41.











































                                      (another view)

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