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888 A LONGQUAN CELADON    南宋ǭ十Հ 十Ӳ世紀ǭ龍泉窯青釉鬲式Ӳ足‐
 TRIPOD CENSER
 SOUTHERN SONG DYNASTY, 12TH-13TH CENTURY  Ϝ源
 .JDIBFM .PJTTFZ 1PTUBO爵士	         
及$ZOUIJB 3PTBMJF 1PTUBO
 The compressed body is raised on three tapered feet and has a flat
 everted rim, with three narrow flanges beginning at a slight ridge   女勳爵	         
 Ⅷ藏
 #MVFUU   4POT
 倫敦
 on the shoulder and trailing down each leg. The censer is covered
 overall with a lustrous sea-green glaze of even tone.  3BZ 5IPNQTPO家族Ⅷ藏
 編號3 5
 %SJFT #MJU[
 阿姆斯特丹
 5æ in. (14.5 cm.) diam., cloth box  藍理捷
 紐約
 編號
 $80,000-120,000  展覽
 倫敦
 #MVFUU   4POT
 「5IF 1PTUBO $PMMFDUJPO PG &BSMZ $IJOFTF
 PROVENANCE:
 $FSBNJDT」
     年  月    日
 Sir Michael Moissey Postan (1899-1981) and Lady Cynthia
 Rosalie Postan (1918-2017) Collection.  ֨ḛ
 Bluett & Sons, London.  #MVFUU   4POT
 《5IF 1PTUBO $PMMFDUJPO PG &BSMZ $IJOFTF
 Ray Thompson Family Collection, no. R.T. 24.  $FSBNJDT》
 倫敦
     年
 編號
 Dries Blitz, Amsterdam.
 J. J. Lally & Co., New York, no. 3712.
 EXHIBITED:
 London, Bluett & Sons, The Postan Collection of Early Chinese
 Ceramics, 8-25 November 1972.
 LITERATURE:
 Bluett & Sons, The Postan Collection of Early Chinese Ceramics,
 London, 1972, no. 17.


 The shape of this censer, based on that of the ancient bronze ritual
 food vessel, li, was produced from the Southern Song into the
 Yuan period for the domestic as well as the export market. The
 numerous tripod censers retrieved from the Sinan shipwreck (1323)
 provide evidence that this shape was much sought after in Japan,
 the original destination of the ship's cargo, and where they have
 since been widely collected.
 Longquan celadon censers of this classic form from the Qing Court
 Collection, now in the Beijing Palace Museum, are illustrated
 in The Complete Collection of Treasures of the Palace Museum - 33 -
 Porcelain of the Song Dynasty (II), Hong Kong, 1996, p. 136, pl.
 122, p. 139, pl. 125, and pp. 140-141, pl. 12. Another slightly
 smaller censer of this form, also reportedly from the Qing Court
 Collection, now in the Percival David Foundation, London, is
 illustrated by M. Medley in The World’s Great Collections: Oriental
 Ceramics, vol. 6, New York, 1982, no. 37.

 Other Longquan celadon censers of this form are in several
 museum collections, including one in the Tokyo National Museum
 in Oriental Ceramics, The World's Great Collections, vol. 1, Tokyo,
 1982, no. 97. Other comparable censers include the example
 illustrated by J. Ayers, The Baur Collection: Chinese Ceramics,
 vol. I, Geneva, 1972, no. A99; and the censer in the National
 Palace Museum, Taipei, included in the Illustrated Catalogue of
 Sung Dynasty Porcelain, Taipei, 1974, no. 12. A larger example
 (19.7 cm. diam.), found in 1991 in Jinyu village of Nanqiong,
 Suining city, Sichuan province, is illustrated in Longquan Celadon:
 The Sichuan Museum Collection, Macau, 1998, pp. 210-11, no. 83.





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