Page 193 - J.J. Lally Chinese Art CHRISTIE'S March 23 2023 NYC
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899 A DEHUA ‘CHILONG’ VASE
                KANGXI PERIOD, 17TH CENTURY
                The high-shouldered vase has a waisted body and a tall neck applied
                with a chilong grasping a leafy stem in its mouth below the galleried
                rim. It is covered overall with a glaze of milky-white color.
                8√ in. (22.5 cm.) high, cloth box
                $8,000-12,000
                PROVENANCE:
                R. M. Chait Gallery, New York, no. 3636.
                Estate of D. D. Kneeland.
                Private European collection.
                J. J. Lally & Co., New York, no. 4332.
                A similar vase is illustrated by P. J. Donnelly in Blanc de Chine,
                New York, 1967, pl. 49C, where the author notes other examples
                in various museums such as the Rijksmuseum, Amsterdam, the
                Percival David Foundation, London, the Musée Guimet, Paris
                and the Art Institute of Chicago. Another example in the Baur
                Collection, Geneva, is illustrated by J. Ayers in the Baur Collection
                Catalogue, Vol. II, Geneva, 1968, no. A262.


                清康熙ǭ十Ӯ世紀ǭ德化白釉堆塑ぞ龍紋≡
                Ϝ源
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                歐洲☆՞Ⅷ藏
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 898 AN INCISED WHITE-GLAZED SOFT-  十Ӯ世紀 ǭ漿胎白釉劃雙魚紋盤
 PASTE ‘TWIN FISH’ DISH
 17TH CENTURY  Ϝ源
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 Ⅷ藏
 The shallow dish is incised on the interior with a pair of fish
 藍理捷
 紐約
 編號
 enclosed by a floral scroll band and a thin scroll beneath the
 turned-out rim. It is covered overall with a crackle-suffused glaze
 of ivory tone.
 10√ in. (27.6 cm.) diam., cloth box
 $5,000-7,000
 LITERATURE:
 Samuel T. Peters (1854-1912) Collection.
 J. J. Lally & Co., New York, no. 4335.

 The motif of twin fish on the present dish looks back to
 Song-dynasty versions that were produced with celadon glazes.
 An emblem of harmony, it is symbolic of “connubial felicity.”
 A smaller soft-paste white porcelain dish incised with twin
 fish in waves is illustrated by J. Ayers in The Baur Collection,
 Geneva: Chinese Ceramics, vol. 3, Monochrome: Glazed Porcelain
 of the Ch’ing Dynasty, Geneva, 1972, no. A429, described as
 “imitating Sung Ting ware”.




 (reverse)


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