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THE NOBLE GAME

                   REGINA KRAHL

                   Chinese chess, weiqi, or ‘surrounding chequers’, is one   have a tone where purity and calm return as a leitmotiv
                   of the oldest board games still played today. Although   … Taoist monks searching for immortality, hermits,
                   often referred to by its Japanese name, go, it is of   sovereigns and poets play weiqi, often in close harmony
                   Chinese origin. It can be traced back to the Warring   with nature, and time … seems suspended” (ibid. p. 47).
                   States period (475-221 BC) and has been popular in
                   China ever since. On account of its endless number   In paintings, weiqi is similarly employed to embody
                   of possible configurations it requires highly complex   moral concepts or philosophical ideas. These can be of
                   strategic thinking and is therefore considered one of   a universal nature, like in depictions of the triumvirate
                   the most challenging board games worldwide. Although   of a Confucian scholar, a Daoist priest and a Buddhist
                   believed by some to have been invented by military   monk united around a weiqi board, symbolizing harmony
                   strategists, chess playing belongs to the ‘Four Arts’   between the Three Teachings (Ni Yibin, Kan tu shuo
                   a Chinese scholar was expected to master, besides   ci [Looking at pictures to explain ceramics], Beijing,
                   calligraphy, painting, and playing the qin zither; of these   2008, pp. 129-138). More often, weiqi is associated with
                   four disciplines, it is considered the most difficult to   Daoist values – the light and dark game pieces naturally
                   accomplish. Their mastery was considered desirable   inviting association with the duality of yin and yang –
                   not only for male literati but equally for educated ladies.   as in the often-illustrated and quoted story of a wood
                   Depictions of the Four Arts are known with both male   cutter watching two immortals playing the game, who
                   and female participants, as, for example, on two mid-  on returning home, discovers that over a hundred years
                   fifteenth century blue-and-white jars, the female version   have passed since he left (Ni Yibin, op.cit., pp. 113-120).
                   from the Shanghai Museum, the male one from the   Ideas of good government are also associated with
                   Victoria and                              chess, as in the story of the Four Elders of Shangshan,
                   Albert Museum,                                                        sages who had
                   London, both   The physical quality of the porcelain produced under   retreated to the
                   illustrated in   the Yongle Emperor’s patronage was boosted to        mountains in
                   the exhibition                                                        opposition to
                   catalogue Ming.   previously unknown excellence […] The form of the   the government
                   Fifty Years that   present jar was developed in the Yongle reign, when   of the Qin (221-
                   Changed China,                                                        206 BC), but
                   The British   artisans – or designers – conceived completely new      later returned
                   Museum,       forms with superb profiles, which display an unerring   to help stabilize
                   London, 2014,                                                         the Han (206
                   figs 165 and 167.  sense of proportions and a clear view to functionality.  BC-AD 220);
                                                                                         the four are
                   The game                                                              typically
                   of weiqi is encountered throughout China’s literature,   depicted around a chess board.
                   it features in most of the Classics, China’s ancient
                   philosophical texts, in all the great classical novels, and in   Since the connotations of weiqi were essentially positive,
                   endless poems. Although it was sometimes criticized as   it is not surprising that numerous emperors are recorded
                   being addictive and leading to laziness and a neglect of   to have enjoyed playing it and that some are depicted
                   one’s duties, overwhelmingly it is praised as a noble and   in paintings at the game board, in imaginary scenes.
                   educational pastime beneficial to a person’s character   Two handscrolls of that nature are in the Freer Gallery of
                   and intellectual fitness. It is said that proficiency in this   Art, Washington, D.C. (F1911.195 and F1911.227, gifts of
                   game requires “the tactic of the soldier, the exactness   Charles Lang Freer): The Double Screen: Emperor Li Jing
                   of the mathematician, the imagination of the artist,   Watching His Brothers Play weiqi, formerly attributed
                   the inspiration of the poet, the calm of the philosopher,   to the tenth-century painter Zhou Wenju, and Emperor
                   and the greatest intelligence” (Elisabeth Papineau   Minghuang and Consort Yang Playing weiqi, formerly
                   (transl. Michael Black), ‘The Game of weiqi, a Chinese   attributed to the thirteenth century painter Qian Xuan,
                   Way of Seeing the World’, China Perspectives no. 33,   both depicting Tang (618-907) emperors enjoying the
                   Jan.-Feb. 2001, p. 48, quoting Zhang Yunqi, Weiqi de   game. The former is now attributed to the early Ming
                   faxian [Discovering weiqi], Beijing, 1991, p. 2). In Chinese   dynasty (1368-1644), fourteenth century, the latter (fig.
                   literature, weiqi is often used to illustrate moral values.   1, detail) to the late Ming, seventeenth century. Taking
                   “The metaphorical use or the mere mention of the game   place in a Ming-style setting, it shows emperor Xuanzong
                                                             (r. 712-756) holding a white porcelain game piece jar.




           64     FOR COMPLETE CATALOGUING  詳盡圖錄內容請瀏覽  SOTHEBYS.COM/HK1505                                                                                                                                                          65
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