Page 10 - Made For Trade Chinese Export Paintings In Dutch Collections
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                    conversations that summer with Joseph Ting,  the fall of 2013, in addition to Hong Kong and
                    Assistant Professor in Chinese History at the  Guangzhou, I also visited Macao for archival
                    Chinese University Hong Kong and former   research. In Macao, it became clear to me that
                    curator at the Hong Kong Museum of Art, and  there were no useful archival sources about the
                    Jiang Yinghe, Professor in the Department of  Dutch who lived in Macao as traders in the
                    History at Sun Yat-sen University in Guangzhou  nineteenth century. However, to my delight,
                    and author of Western painting and Canton port  I found that in this triangle of once booming
                    during the Qing period.                   China trade cities enjoying the attention of
                      I will never forget the exchange of views, at  academics, there is a vivid interest for the subject
                    that time, with John Clark, Director of the  of ‘historical China trade’. The initiative to
                    Australian Centre of Asian Art and Archaeology,  establish the Thirteen Hongs Research Centre     III
                    Professor at the University of Sydney and, in  at the School of Humanities of Guangzhou
                    2007, Guest Professor at Leiden University. In  University in 2009, is a concrete example of this.
                    his own way, he emphasised the importance of  At the invitation of Ellen Cai, a Leiden
                    the concept of local modernity (further   University PhD alumna and affiliated with this
                    explained later). Furthermore, his ideas about  centre as a researcher, I gave a lecture at
                    Western-style painting in China and the   Guangzhou University in November 2013. 9
                    influence of the Jesuits at that time on Chinese  Furthermore, the provincial Guangdong
                    painting through contacts and distribution and  Museum, established a number of years ago,
                    the art historical discourse gave me a new insight  also pays great attention to the old China trade
                    into the material. 7                      era. I can still remember my visit to the
                      No research into this kind of Chinese export  interesting exhibition Chinese export fine art in
                    art would be complete without a visit to the  the Qing Dynasty from the Guangdong
                    collection of the Peabody Essex Museum in  Museum. What a wealth of artistic material
                    Salem in the United States. This collection,  culture! With the opening of the Guangzhou
                    which I visited in 2010, is known as the largest,  Council for Promotion of the Culture of the
                    most famous and internationally significant one  Thirteen Hongs at the Guangzhou Culture Park
                    among other public historical collections with  on Shamian Island in 2013, the city is
                    decorative art produced in China, Japan and  underlining once again the importance of this
                    India for export to other cultures. The museum’s  period and has made it possible to communicate
                    roots date back to the 1799 founding of the East  this history to a broad public. The enthusiasm in
                    India Marine Society, an organization of Salem  Guangzhou for research into this specific time in
                    captains and supercargoes, who brought to  Chinese history and the related art products was
                    Salem a diverse collection of objects from Asia  contagious.
                    and elsewhere. I was received most kindly and  There have been a number of people at Leiden
                    given a tour by Karina Corrigan, the H.A.  University who continue to be an important
                    Crosby Forbes curator of Asian export art, and  source of inspiration. Firstly, Kitty Zijlmans,
                    we examined the collection’s acclaimed albums  Professor of Contemporary Art History and
                    of Van Braam Houckgeest. 8                Theory/World Art Studies. I could not have
                      Subsequently, in 2013, it was the turn of the  wished for a better supervisor. From the
                    collections in London. The visits to the depots of  beginning of my studies in Art History, I found
                    the British Library, the British Museum and the  the content of her seminars on the different
                    V&A, with globally renowned icons of Chinese  methods of art historical research instructive and
                    painting, were impressive. Being face to face  I have utilised them in the research for this
                    with world-renowned paintings sometimes gave  dissertation. In addition, her inspiring leadership
                    me goosebumps. The assistance of Jennifer  of the biannual PhD afternoons at the Leiden
                    Howes (BL), Clarissa von Spee (BM) and    University Centre for the Arts in Society
                    Xiaoxin Li (V&A) in this regard was       (LUCAS) always left me feeling excited and full
                    heartwarming.                             of ideas on my way home afterwards. She
                      On a second visit to the South China coast, in  understands better than anyone the art of asking

                    ---
                    7 Clark 2005, 11-33, 49-69.
                    8 Karina H. Corrigan lectures and publishes on many aspects of Asian export art and the material culture of global
                    connections. She organises exhibitions as, among others, Asia in Amsterdam: The culture of luxury in the Golden
                    Age, which the Peabody Essex Museum has co-organised with the Rijksmuseum Amsterdam in 2016.
                    9 In this lecture, I treated the set of three Chinese export harbour views from the Royer collection, which have
                    been exhibited in the Rijksmuseum Amsterdam since its reopening in 2013.
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