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An underglaze-blue and copper-red                                         A blue and white soft-paste vase
‘Immortals’ bowl                                                          Qianlong
Qianlong seal mark and of the period                                      Elaborately painted around the gently tapering body with clusters of
The central medallion finely painted with Shoulao and a deer, the         bamboo and branches of peony and pomegranate issuing from jagged
exterior painted with the Eight Immortals carrying their various          rocks, the other side scattered with a cockerel and a hen with chicks
attributes, and riding on various leaves or magical creatures through     below butterflies in flight. 29.2cm (11 1/2in) high
foaming copper-red waves. 22cm (8 3/4in) diam.

£2,000 - 3,000                                                            £1,500 - 2,500       CNY15,000 - 25,000
HK$25,000 - 38,000	                                                       HK$19,000 - 31,000	

                     CNY20,000 - 30,000

                                                                          清乾隆 青花花石錦雞圖瓶

清乾隆 青花釉裏紅八仙圖碗 青花「大清乾隆年製」篆書款

Provenance 來源: D & M Freedman Ltd., London                                Provenance 來源: R.&G.McPherson Ltd., London, no.21520 (label)
Desmond R.Laurence Collection, no.203, acquired on 5 January 2000         Roy Davids Collection, no.6

Roy Davids Collection, no.41                                              144
                                                                          A blue and white soft-paste ‘Three Abundances’ vase
The painting on the exterior refers to the story of the Daoist Immortals  Qianlong
crossing the East Sea, 八仙过海 ba xian guo hai. The legend is that           The slightly-tapered body rising to a waisted neck and everted
when they come to the East Sea, Lü Dongbin suggests that each of          rim, painted with three branches of sanduo comprising peach,
the Immortals use his own individual abilities to cross the sea, and      pomegranate and finger citron, each branch bearing five fruits, all
thus each figure throws down his attribute to ride upon, with some        between bands of ruyi-heads and upright lappets beneath borders of
transforming into sea monsters. The story can be interpreted as each      leaves and scrolls at the neck. 26.5cm (10 1/2in) high
member of a group making a distinctive contribution to collective
success. It is unusual to find such a fine example of bowls of this type  £4,000 - 7,000       CNY40,000 - 69,000
with a Qianlong seal mark and of the period. A larger bowl with similar   HK$50,000 - 88,000	
decoration but with a hall mark Gongshoutang zhi (made in the Hall of
Venerating Old Age) and attributed to mid-19th century, is illustrated    清乾隆 漿胎青花三多紋瓶
by R.Krahl and C.von Spee in Chinese Ceramics from the Gulexuan
Collection, London, 2003, no.140, although the authors note that          Provenance 來源: S.Marchant and Son Ltd., London
Geng Baochang mentions these bowls as in use from the Qianlong            Roy Davids Collection, no. 54, acquired on 11 May 2010
period: see Geng Baochang, Ming Qing ciqi jianding, Hong Kong,
1993, p.383.                                                              The decoration on the present lot expresses the wish for an
                                                                          abundance of blessings, long life and sons. The Three Abundances
                                                                          fushou sanduo 福壽三多 are represented by the Budhha’s Hand
                                                                          citron, the peach and the pomegranate. The finger citron symbolizes
                                                                          abundant blessings, the peach represents abundant longevity and the
                                                                          pomegranate stands for many sons.

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