Page 111 - Bonhams Asian and Chinese Art London Nov. 2019
P. 111

260
           A THANGKA OF KEDRUB GELEG PAL
           ZANGPO
           Tibet, circa 1800
           Distemper on cloth; inscribed in Tibetan at
           the bottom, unmounted. 71.5cm (28 1/4in) x
           44cm (7 1/4in)

           £3,000 - 5,000
           HK$29,000 - 49,000
           CNY27,000 - 44,000
           The Property of a Lady

           Provenance
           Ludwik Rajchman (1881-1965), great-
           grandfather of the present owner, and by
           descent through the family

           Kedrub Geleg Pal Zangpo (1385-1438) was
           one of Tsongkapa’s most devoted disciples.
           Upon his teacher’s death, he returned to
           Tsang, where he became an abbot, founded
           several monasteries, and ultimately became
           the third man to occupy the throne of
           Ganden after Tsongkapa and Gyaltsab Je.
           It is on his visions that the Five Forms of
           Tsongkhapa are based. He is regarded as a
           pre-incarnation in the line of Panchen Lamas;
           the present thangka is likely to have been
           part of a set illustrating the incarnations of
           the Panchen Lama.

           Here Kedrub, is depicted having his visions.
           He is at the same time to the middle left,
           shown slumping in sadness over at table at
           the thought of the suffering of sentient beings
           lost in the ocean of worldly existence, whilst
           thinking of his teacher who instantly appears
           in the sky above. At the same time he is also
           to the middle right, in a devoted kneeling
           posture, looking up at the vision of his
           master and presenting a symbolic mandala
           offering of the universe constructed of
           precious substances. At the top right of the
           composition is Sahaja Heruka Vajrabhairava,
           with Shadbhuja Mahakala, emanation of
           Avalokiteshvara, at the bottom left.

           For similar thangkas depicting the same
           subject, see Himalayan Art Resources item
           23391; and Christie’s, Indian, Himalayan and
           Southeast Asian Works of Art,
           New York, 18 March 2015, lot 4030.




















           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  ASIAN ART - PART I  |  109
   106   107   108   109   110   111   112   113   114   115   116