Page 242 - Bonhams Cornette Saint Cyr, Property from the estate of Jean-Pierre Rousset (1936-2021)
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           GRANDE COMMODE À RESSAUT D’ÉPOQUE LOUIS XVI EN    In 1785, Guillaume Beneman (circa 1750-1811), of German origin,
           ACAJOU ET ACAJOU MOUCHETÉ, ORNEMENTATION DE       then almost unknown, was chosen after having participated in a call
           BRONZE CISELÉ ET DORÉ, ESTAMPILLE DE GUILLAUME    for tenders launched by the Royal Garde-Meuble, to become the main
           BENEMAN                                           supplier of the Garde-Meuble de la Couronne to replace Jean-Henri
           Vers 1790                                         Riesener, who had become slightly out of fashion and too expensive,
                                                             following the decision to cut costs. Beneman who until then had been
           A LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND PLUM-     working freely in the Faubourg Saint-Antoine, was quickly received
           PUDDING MAHOGANY LARGE COMMODE, GUILLAUME BENEMAN  as a master cabinetmaker in 1785. Exempted from the rights and
           Circa 1790                                        conditions of access to the profession, he was mainly chosen for
           Of rectangular break-front form, the grey-veined white marble top   his talent and for the similarity of his production to Riesener’s one.
           above three frieze drawers with encadrement mounts and foliate   Beneman was initially responsible for restoring, modifying, updating
           escutcheons, on two long drawers sans traverse but with three   and copying existing important pieces of furniture from the royal
           encadrement mounts, with foliate swagged handles and ribbon-tie   collection, under the supervision of the talented and influent wood
           cornucopia escutcheons, the brass-mounted channelled rounded   sculptor Jean Hauré. In just a few years (1786-1792) and with the
           angles surmounted by brettés panels and terminating in turned   help of fifteen to twenty craftsmen at his command, he delivered no
           tapering toupie feet, stamped four times ‘G.BENEMAN’.   less than 235 pieces of furniture for a total of 59.555 livres. At the
           99cm (39in) high x 175cm (69in) wide x 66cm (26in) deep.  same time, Beneman kept up to date and was inspired by the latest
                                                             trends propagated by the important marchand-mercier Dominique
           €25,000 - 40,000                                  Daguerre, whose ideas were often executed by the not less talented
                                                             cabinetmaker Adam Weisweiler.
           Provenance:
           Probably from the collection of the late Sir Fairfax Cartwright,
           G.C.M.G., G.C.V.O., Christie’s London, 27 June 1968, lot 84
           Christie’s Monte-Carlo, 7 December 1985, lot 120

           Related literature:
           A.Pradère, Les Ebénistes de Louis XIV à la Révolution, Paris, 1989,
           pp.405-411
           Guillaume Beneman, maître ébéniste in 1785.       (detail of stamp)

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