Page 137 - Important Chinese Ceramics & Works of Art, Hong Kong

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A FAMILLE ROSE ‘FLORAL’ BOWL 清雍正 粉彩花卉蝴蝶盌 雙圈六字楷書款

YONGZHENG SIX-CHARACTER MARK IN UNDERGLAZE BLUE 來源
英國私人收藏
WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1723-1735) Peter Boode（根據標籤）
倫敦佳士得，2010 年 11 月 12 日，拍品 1268 號
The bowl has rounded sides rising from a straight foot to a gently
flared rim, variously painted to the exterior in the ‘boneless style’ 此盌以「沒骨」畫法呈現，相關討論可見蘇玫瑰，〈18th Century
technique with two butterflies in flight among leafy flowering Overglaze Enamels: the Influence of Technological Development on Painting
branches with crab apple and aster, the interior painted with an Style〉，《Style in the East Asian Tradition, Percival David Foundation》，
orchid bloom. 倫敦，1987 年，158 及 164 頁。另見一對相似的粉彩花卉盌，著錄於楊
7 in. (17.8 cm.) diam., box 伯達，《徐氏藝術館：陶瓷篇 IV‧ 清代》，香港，1995 年，圖版 151 號。

HK$400,000-600,000 US$52,000-78,000

PROVENANCE

An English private collection
Peter Boode (according to label)
Sold at Christie’s London, 12 November 2010, lot 1268

The bowl is painted in the ‘boneless style’. For further discussion of
this style, see R. Scott, ‘18th Century Overglaze Enamels: the Influence
of Technological Development on Painting Style’, Style in the East
Asian Tradition, Percival David Foundation, London, 1987, pp. 158 and
164. Compare to a pair of bowls painted in the same style, illustrated
by Yang Boda, The Tsui Museum of Art: Chinese Ceramics IV, Qing
Dynasty, Hong Kong, 1995, no. 151.

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