Page 216 - Important Chinese Art Hong Kong Sotheby's April 2017
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3644

                      PROPERTY FROM AN ENGLISH PRIVATE COLLECTION

                     A RHINOCEROS HORN ‘LOQUAT’ LIBATION
                     CUP
                     QING DYNASTY, 17TH – 18TH CENTURY

                     skilfully carved in the form of a furled loquat leaf with a
                     serrated rim, one side of the leaf depicted borne on a gnarled
                     branch extending downwards to form the handle and base,
                     the branch issuing branches of loquats and leaves enveloping
                     the exterior of the vessel, the smoothly patinated surface of a
                     honey-brown colour
                     18.6 cm, 7¼ in.

                     Rhinoceros horn libation cups modelled in the form of a loquat
                     leaf and carved with loquats on the exterior are unusual and
                     only two examples appear to have been published; one in the
                     Chester Beatty Library, Dublin, illustrated in Jan Chapman, The
                     Art of Rhinoceros Horn Carving in China, London, 1999, pl. 224;
                     and another from the Montague Meyer Collection, sold in these
                     rooms, 26th November 1980, lot 432, possibly the same cup
                     that sold in our London rooms, 30th June 1964, lot 108.

                     Loquats (pipa) in China are symbolic of the four seasons,
                     as they bud in autumn and flower in winter, while their fruits
                     appear in spring and ripen in summer.

                   ◉ HK$ 400,000-600,000
                     US$ 52,000-77,500

                     清十七至十八世紀 犀角雕枇杷盃

                     3645

                      PROPERTY FROM AN ENGLISH PRIVATE COLLECTION

                     AN ARCHAISTIC RHINOCEROS HORN
                     ‘CHILONG’ LIBATION CUP
                     MING DYNASTY

                     well patinated and carved with a quatrefoil rim tapering to an
                     oval splayed foot, the exterior decorated in low relief with a
                     frieze of taotie masks against a diapered ground below a key-
                     fret band, one side of the vessel with three clambering chilong,
                     the reverse with a handle modelled as two sinuous chilong, one
                     depicted clambering onto the interior, facing a further mythical
                     beast on the other side, the base with an apocryphal two-
                     character Xuanhe seal mark
                     10.5 cm, 4⅛ in.

                     The seal on the base reads Xuanhe, which is the reign mark of
                     Emperor Huizhong of the 12th century; the penultimate ruler
                     of the Northern Song dynasty. Huizhong was a keen collector
                     and connoisseur of arts and is known to have sent his officials
                     all around the country to find pieces for his imperial collection.
                     The Xuanhe reign mark can be found on a number of
                     rhinoceros horn vessels which are discussed by Jan Chapman
                     in The Art of Rhinoceros Horn Carving in China, London, 1999,
                     pp. 217-224. Chapman notes that the seal was widely used
                     on examples of decorative art from later periods in Chinese
                     history.

                   ◉ HK$ 200,000-300,000
                     US$ 25,800-38,700

                     明 犀角雕仿古螭龍紋盃
                          《宣和》仿款

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